| String Quartet No. 3 in E-Flat Minor, Op. 30: IV. Finale: Allegro non troppo e risoluto | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | 6:11 | |
| Elias, Op. 70: Teil II: Und der Prophet Elias brach hervor | Felix Mendelssohn, Thomas Hengelbrock | 2:31 | |
| La vestale, Act I: Récit. Près de ce temple auguste à Vesta consacré | Gaspare Spontini, Stanislas de Barbeyrac, Tassis Christoyannis, Les Talens Lyriques, Christophe Rousset | 2:05 | |
| Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | 10:16 | |
| Romance No.2 in F, Op.50 | Various Artists | 8:16 | |
| Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | 1:54 | |
| Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | 1:04 | |
| Elias, Op. 70, MWV A25, Part II: No. 41, Quartet "Wohlan, alle die ihr durstig seid" | Felix Mendelssohn, Soile Isokoski, Monica Groop, John Mark Ainsley, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | 3:19 | |
| Armida, Atto Secondo Scena 2: Ballo | Antonio Salieri, Les Talens Lyriques, Christophe Rousset | 1:37 | |
| Tippett: Concerto for Double String Orchestra: I. Allegro con brio | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | 6:18 | |
| Messa di Gloria: VII. Qui tollis peccata | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | 4:05 | |
| Serenade No. 2 in A Major, Op. 16: II. Scherzo. Vivace | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | 2:52 | |
| Jazzy Experiment | Hett, João Marcondes, Ressonantes - Núcleo de Compositores | 3:50 | |
| Symphonie No. 3 in E flat Major, Op. 97 - "Rheinische": II. Scherzo (Sehr mäßig) | Klaus Tennstedt, Berliner Philharmoniker | 6:19 | |
| Marschner: Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad) | Heinrich Marschner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | 5:34 | |
| Elias, Op. 70, MWV A25, Part I: No. 8, Recitative, Aria "Was hast du an mir getan" (Die Witve, Elijah) | Felix Mendelssohn, Soile Isokoski, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | 5:32 | |
| Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | 1:10 | |
| Der Fischer und das Milchmädchen: XIX. Pas seul | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | 2:19 | |
| Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | 1:11 | |
| Glory | Alejandro Llovet Abascal | 3:48 | |
| La vestale, Act I: Air. L’amour est un monstre barbare | Gaspare Spontini, Aude Extrémo, Les Talens Lyriques, Christophe Rousset | 2:43 | |
Több megtekintése Songs Like X Pro-val |
| Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | 8:56 | |
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | 1:12 | |
| Symphony No. 1 in D Major, Op. 23: III. Menuetto. Moderato | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | 4:30 | |
| Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | 2:28 | |
| Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | 5:38 | |
| Divertimento No. 1, Op. 20: IV. Verbunkos | Leó Weiner, Budapest Strings, Karoly Botvay | 2:30 | |
| Misatango, Misa a Buenos Aires: II. Christe eleison | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | 5:09 | |