| Schumann: Belsatzar, Op. 57 | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | 4:40 | |
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | 7:04 | |
| Romance "L'âme évaporée" | Claude Debussy, Susan Manoff, Sandrine Piau | 1:54 | |
| Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | 3:25 | |
| Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | 3:25 | |
| Miserere, ZWV 57: I. Miserere I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | 2:04 | |
| Liederkreis, Op. 39: No. 5. Mondnacht (Moonlit Night) | Robert Schumann, Margaret Price, James Lockhart | 3:47 | |
| Requiem, Op. 48, N. 97: VI. Libera me | Gabriel Fauré, Stephan Genz, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | 4:41 | |
| A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor | Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, The Monteverdi Choir | 4:40 | |
| 7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | 2:34 | |
| Schumann: Minnespiel, Op. 101: No. 7, Duett. "Die tausend Grüße" | Friedrich Rückert, Robert Schumann, Erik Werba | 1:47 | |
| Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | 3:15 | |
| Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | 4:45 | |
| Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | 6:21 | |
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | 3:40 | |
| Strauss, R: 4 Letzte Lieder: No. 1, Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | 3:44 | |
| Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | 4:18 | |
| Schumann: Gedichte aus "Liebesfrühling", Op. 37: No. 7, Schön ist das Fest des Lenzes | Friedrich Rückert, Robert Schumann, Edda Moser, Erik Werba | 1:23 | |
| Schumann: Gedichte aus "Liebesfrühling", Op. 37: No. 6, Liebste, was kann denn uns scheiden | Friedrich Rückert, Robert Schumann, Erik Werba | 2:27 | |
| 6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | 2:11 | |
| Fauré: Requiem, Op. 48: VI. Libera me | Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris | 5:12 | |
Több megtekintése Songs Like X Pro-val |
| La traviata / Act II: Di Provenza il mar, il suol | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | 4:42 | |
| Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | 5:56 | |
| Stabat Mater, FP 148: 12. Quando corpus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | 3:44 | |
| Gia il sole dal gange | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | 1:50 | |
| 3 Lieder, Op. 12: 2. Liebst du um Schonheit | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | 2:31 | |
| Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | 1:02 | |
| Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | 3:14 | |