Fields and Hedgerows - 60 Second Edit | Johnny Pearson | 1:03 | ||
Rondó do Nascimento | Alexandre Fritzen da Rocha | 4:17 | ||
Toccata and Passacaglia: II. Passacaglia | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | 6:12 | ||
Air Force One | Royal Symphony Orchestra | 1:56 | ||
A New Day | George Fenton | 1:24 | ||
The Magnificent Seven: Main Titles And Calvera's Visit: Allegro Con Fuoco | Phoenix Symphony, James Sedares | 4:01 | ||
Sarabande (From the Movie "Barry Lyndon") | Original Soundtrack | 3:25 | ||
Petrópolis da Minha Infância: I. A Baronesa Sobe A Serra | Orquestra de Câmara de São Paulo | 1:35 | ||
Piano Parchment - 60 Second Edit (A) | Johnny Pearson | 1:04 | ||
Toccata, Op. 22 | Manuel E. Vilera H. | 4:38 | ||
Paddy's Sunset / The Island | Basil Poledouris | 2:17 | ||
A Bridge Too Far (Overture) | Czech Philharmonic Chamber Orchestra | 3:18 | ||
Light And Easy | Harry Rabinowitz, The Symphonia Orchestra, Curt Andersen | 2:56 | ||
Flying Home | George Fenton | 3:02 | ||
Un Amoroso Camino | Joaquin Borges, National Philarmonic Orchestra | 4:05 | ||
Mr C’s Nightmare / Mutt Leads Lily On (From "Thomas and the Magic Railroad") | Hummie Mann | 2:18 | ||
Stargate Sg-1: End Credits | Original Soundtrack | 0:58 | ||
My Sweetheart | Walter Noack | 3:02 | ||
L'espoir - From Le toubib | Philippe Sarde, Marcel Azzola | 2:04 | ||
The End Titles | Angela Morley | 3:02 | ||