| Handel: Music for the Royal Fireworks, HWV 351: I. Overture (Adagio) | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | 2:13 | |
| Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | 4:01 | |
| Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | 7:09 | |
| Paradis: Sicilienne | Maria Theresia von Paradis, Samuel Dushkin, Itzhak Perlman | 2:54 | |
| By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | 3:57 | |
| Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | 3:42 | |
| Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | 3:47 | |
| Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | 3:36 | |
| Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): III. Vision: Allegro moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | 4:51 | |
| Light and Shade | Per Øystein Sørensen, The Norwegian Radio Orchestra | 4:55 | |
| Funf Charakterstucke, Op. 32: No. 3, Rustle of Spring (Fruhlingsrauschen) - Welte-Mignon 375 | Christian Sinding, Peter Phillips, Karl Wendling | 2:28 | |
| Variations on a Theme by Tchaikovsky, Op. 35a: Theme. Moderato | Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov | 0:59 | |
| Solomon, HWV 67: The Arrival Of The Queen Of Sheba | Georg Friedrich Händek, Robert Haydon Clark, Consort of London | 3:09 | |
| Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | 4:17 | |
| Symphony No. 39 in E-Flat Major, K. 543: I. Adagio; Allegro | Wolfgang Amadeus Mozart, The Norwegian Radio Orchestra, Petr Popelka | 9:57 | |
| Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | 4:55 | |
| Sender | Rymden, The Norwegian Radio Orchestra | 1:25 | |
| Lagunen Waltz, Op. 411 | Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Johannes Wildner | 6:57 | |
| String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | 7:42 | |
| Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | 5:08 | |
| Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major | Johannes Brahms, Moura Lympany | 1:39 | |
Több megtekintése Songs Like X Pro-val |
| The Dog Breath Variations / Uncle Meat | Frank Zappa, The Norwegian Radio Orchestra, Thomas Søndergård | 5:14 | |
| Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | 5:41 | |
| Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | 8:07 | |
| Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | 2:11 | |
| Poem | Zdeněk Fibich, Arve Tellefsen | 3:45 | |
| Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Itzhak Perlman, Carlo Maria Giulini, Philharmonia Orchestra | 10:05 | |
| Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, The Norwegian Radio Orchestra, Ari Rasilainen | 5:23 | |
| Rotations, 2nd Rotation | Helge Sunde, The Norwegian Radio Orchestra, Rolf Gupta | 3:08 | |
| Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Staatskapelle Dresden, Hans Vonk | 6:39 | |
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Jascha Heifetz, Sir Malcolm Sargent | 7:49 | |