| The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | 4:39 | |
| Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | 3:22 | |
| Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | 9:56 | |
| Gounod: Faust, CG 4, Act 2 Scene 3: No. 7, Ronde du veau d'or, "Le veau d'or est toujours debout" (Méphistophélès, Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | 2:12 | |
| Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | 2:49 | |
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 7:11 | |
| La Wally/Ebben, Ne Andrò Lontana | Montserrat Caballé, Orquesta Sinfónica de Barcelona | 4:16 | |
| Ernani: 'Si ridenste il Leon di Castiglia' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | 1:39 | |
| Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | 1:52 | |
| Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | 2:01 | |
| Rigoletto, Act I: Gualtier Malde … Caro nome | Giuseppe Verdi, Maria Callas, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | 7:32 | |
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