| Sonata for Solo Harp: I. Allegretto | Germaine Tailleferre, Valérie Milot | 3:16 | |
| American Rhapsody | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | 9:29 | |
| String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | 6:35 | |
| Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | 2:18 | |
| Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | 3:18 | |
| Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | 3:47 | |
| Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | 6:23 | |
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | 6:36 | |
| Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | 3:58 | |
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | 7:42 | |
| Valse nonchalante en Ré-Bémol Majeur, Op. 110 | Camille Saint-Saëns, Anne Queffélec | 4:21 | |
| Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | 7:42 | |
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | 2:39 | |
| Capricorn Concerto, Op. 21: II. Allegretto | Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop | 3:01 | |
| Chaconne in A-Flat Minor | Marie Auguste Durand, Janos Balint, Nora Mercz | 4:06 | |
| Le Rouet d'Omphale, Op. 31 | Camille Saint-Saëns, Neeme Järvi, Royal Scottish National Orchestra | 8:00 | |
| Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | 6:46 | |
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | 3:27 | |
| Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | 3:05 | |
| Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | 5:10 | |
| La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | 1:31 | |
Több megtekintése Songs Like X Pro-val |
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Royal Scottish National Orchestra Chorus, Female members, Royal Scottish National Orchestra, David Lloyd-Jones | 8:32 | |
| Suite for Violin and Orchestra: II. Intermezzo. Allegro molto vivace | Frederick Delius, Tasmin Little, Andrew Davis, BBC Philharmonic Orchestra | 3:04 | |
| 2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | 2:36 | |
| 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | 1:17 | |
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 7:11 | |
| Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | 6:59 | |
| Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | 1:36 | |
| Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | 3:34 | |
| Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | 5:08 | |
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | 9:33 | |
| Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | 2:30 | |
| Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | 3:01 | |
| Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | 1:38 | |
| Henry V - Suite (arr. Mathieson): IV. Touch her soft lips and part | William Walton, Philharmonia Orchestra | 1:40 | |
| Souvenirs, Op. 28 (version for orchestra): VI. Galop (The Next Afternoon) | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | 2:47 | |
| Cello Concerto: Becoming slower - | Frederick Delius, Raphael Wallfisch, Sir Charles Mackerras, Royal Liverpool Philharmonic Orchestra | 5:27 | |
| 3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | 3:02 | |
| Two Aquarelles: Lento, ma non troppo | Frederick Delius, Welsh National Opera Orchestra, Sir Charles Mackerras | 2:26 | |
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | 9:23 | |
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | 1:43 | |
| Kinderszenen, Op. 15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | 2:23 | |
| 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | 5:19 | |
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | 7:04 | |
| Pelléas et Mélisande, Op. 80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | 3:54 | |
| 24 Preludes for piano, Op. 11: No. 11 In B | Alexander Scriabin, Yuja Wang | 1:31 | |
| Pictures At An Exhibition: Promenade - II | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | 1:07 | |
| ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | 1:33 | |
| Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | 1:58 | |