| 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | 3:11 | |
| Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | 3:16 | |
| Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | 1:33 | |
| 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | 1:17 | |
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | 3:18 | |
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | 3:35 | |
| Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | 4:39 | |
| Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | 4:17 | |
| Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | 2:28 | |
| 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 4 in G Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | 5:13 | |
| Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | 13:40 | |
| Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | 8:23 | |
| Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | 3:34 | |
| Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | 2:52 | |
| Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | 10:42 | |
| Massenet: Élégie (Arr. for Cello and Piano) | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | 1:44 | |
| Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | 5:08 | |
| Debussy: Piano Trio in G Major, L. 5: III. Andante espressivo | Claude Debussy, Bertrand Chamayou | 3:47 | |
| The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | 3:29 | |
| Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | 5:50 | |
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 8:05 | |
Több megtekintése Songs Like X Pro-val |
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | 6:35 | |
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | 7:01 | |
| Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | 3:35 | |
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | 2:48 | |
| Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | 1:42 | |
| Five English Nursery Tunes: IV. Curly Locks | Hubert Clifford, Martyn Brabbins, BBC Philharmonic | 4:17 | |
| Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | 2:44 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 7:34 | |
| Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | 3:44 | |
| Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | 1:29 | |
| The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | 2:54 | |
| Salut d'Amour, Op. 12 | Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman | 3:27 | |
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | 9:23 | |
| Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | 3:14 | |
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | 3:50 | |
| Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | 1:53 | |
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | 10:10 | |
| Adagio in F, H.XVII No.9 | Joseph Haydn, Alfred Brendel | 5:37 | |
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | 4:14 | |
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | 1:58 | |
| Nimrod (Lux Aeterna) | Edward Elgar, Voces8 | 3:52 | |
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | 3:12 | |
| Romance for String Orchestra, Op. 11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | 7:16 | |
| Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | 5:21 | |
| Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Daniel Barenboim | 5:20 | |