| London Girls | Sterling Press | 2:24 | ||
| Teach Me To Be Bad | Sunflower Bean | 2:48 | ||
| Replace It All | The Backfires | 2:59 | ||
| You're On Your Own This Time, Again | Molly Payton | 3:36 | ||
| Sports Day | Man/Woman/Chainsaw | 2:30 | ||
| Screw It Up | Grandmas House | 2:15 | ||
| Never Run Away | Peacebone | 3:23 | ||
| Cheshire Smile | Balancing Act | 3:24 | ||
| Blue Moon | T Truman | 3:30 | ||
| Sickner | Big Romance | 3:14 | ||
| Mother | DEADLETTER | 4:28 | ||
| Jump The Gate | Peach Fuzz | 3:00 | ||
| Big Idea | PROJECTOR | 3:57 | ||
| Turn Off The Lights | The Backfires | 3:00 | ||
| Tangerine | Saloon Dion | 4:39 | ||
| The Party Is A Mess | Fake A Smile | 3:16 | ||
| Hey Kekulé | Font | 3:33 | ||
| What A Time To Be Alive | L'objectif | 3:53 | ||
| microdose | total tommy | 2:59 | ||
| Psycho | Shelf Lives | 2:41 | ||
| Me and Your Mates | Welly | 3:55 | ||
| Több megtekintése Songs Like X Pro-val | ||||
| flood | Fan Girl | 3:15 | ||
| Wasted | GRENADE | 2:29 | ||
| Love Song | Lime Garden | 3:11 | ||
| 3 | Bean Magazine | 2:48 | ||
| The Boss | Man/Woman/Chainsaw | 2:58 | ||
| Body | Kynsy | 2:45 | ||
| Did I Just Die | Naked Giants | 3:14 | ||
| White Rabbit | Indoor Foxes | 3:04 | ||
| Hot Melt Glue | Fast Money Music | 2:47 | ||
| If The Shoe Fits | The Cliffords | 3:31 | ||
| Feast | SPRINTS | 2:28 | ||
| Siren Songs | common goldfish | 3:29 | ||
| Twist and Turn | Cardinals | 3:14 | ||
| It Was Over Before It Began | Automotion | 4:30 | ||
| Missed Out | Naked Giants | 3:28 | ||
| Greasy Boy | FEET | 2:29 | ||
| The Leader | Dog Race | 3:58 | ||
| Cartwheels | Soft Launch | 2:04 | ||
| anything for you | Abbie Ozard | 3:17 | ||
| We'll Neva Die | bby | 2:59 | ||
| Dig Up Concrete With A Plastic Shovel | Flat Party | 3:02 | ||
| Dream Of You | The Rills | 3:24 | ||
| Stereo Games | Kynsy | 2:31 | ||
| Fade Away | Girl Tones | 3:14 | ||
| This Town | Maxwell Varey | 3:09 | ||
| LA's Got Gorgeous | Nitefire | 2:59 | ||
| Frankenstein | The Dream Machine | 3:06 | ||
| Adoringly Drunk | The Criticals | 3:05 | ||
