| Haugtussa, Op. 67: VIII. Ved gjaetle-bekken | Charlotte Hoather, George Todica | 6:23 | |
| Symphony No. 9 in D Major: I. Andante comodo: No. 7, Wie von Anfang | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | 1:57 | |
| Picker: Old and Lost Rivers (Piano Version) | Tobias Picker, Christoph Eschenbach | 7:17 | |
| The Gallows | Mark Heenahan, Christine Andreas, Joel Higgins, Cliff Brayshaw | 1:50 | |
| The Armed Man (Ensemble Version): VIII. Angry Flames | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | 4:27 | |
| H.M.S. Pinafore, Act I: I'm Called Little Buttercup | Gilbert & Sullivan Society of Houston | 4:17 | |
| Darkness Falls | Valorie Sherburn | 2:08 | |
| Symphony No. 9 in D Major: II. Ländler: No. 5, Tempo I. Wie zu Anfang | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | 1:29 | |
| Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | 2:42 | |
| The Armed Man (Ensemble Version): IX. Torches | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | 2:52 | |
| Letter From Napoleon Bonaparte To Josephine | Michael Sheen | 2:36 | |
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