| Parade of Charioteers from Ben Hur - Instrumental | Miklós Rózsa, John Williams, Boston Pops Orchestra | 3:49 | |
| Main Theme (From "Schindler's List") | John Williams, Itzhak Perlman, Pittsburgh Symphony Orchestra | 3:34 | |
| Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | 1:38 | |
| 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | 3:01 | |
| Symphony No. 7 in A major, Op. 92: II. Allegretto | Nicolaus Esterhazy Sinfonia | 8:12 | |
| Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | Zdeněk Fibich, Balazs Szokolay | 1:41 | |
| Piano Concerto No. 2, Op. 16: II. Andante cantabile | Sam Cramer, London Mozart Players, Howard Shelley | 6:00 | |
| Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | 5:01 | |
| Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | 5:42 | |
| Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | 7:09 | |
| Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | 3:47 | |
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | 3:35 | |
| Theme (From "Far and Away") | John Williams, Itzhak Perlman, Pittsburgh Symphony Orchestra | 5:34 | |
| Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | 3:58 | |
| Spartacus: Adagio (arr. J. Galway for flute and piano) | James Galway, Aram Khachaturian, Kenneth Smith, Paul Rhodes | 3:14 | |
| String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio | Luigi Boccherini, Eckart Runge, Cuarteto Casals | 3:29 | |
| Serenade In G Major "Eine Kleine Nachtmusik", K. 525: II. Romance (Andante) | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | 5:39 | |
| Liebestraum, S. 541, No. 3 | Franz Liszt, Evgeny Kissin | 4:35 | |
| Love Theme (From "Cinema Paradiso") | Ennio Morricone, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | 3:17 | |
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | 6:38 | |
| Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | 8:43 | |
| Több megtekintése Songs Like X Pro-val |
| Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | 8:01 | |
| The Umbrellas of Cherbourg: "I Will Wait For You" | Michel Legrand, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | 3:43 | |
| Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | 2:09 | |
| Verdi: La forza del destino: Overture (Excerpt) | Giuseppe Verdi, Hallé, Sir John Barbirolli | 2:57 | |
| Piano Trio No. 4 in E Minor, Op. 90, B. 166: "Dumky", V. Allegro | Antonín Dvořák, Itzhak Perlman, Yo-Yo Ma, Rudolf Firkusny | 3:54 | |
| Ben-Haïm: Berceuse sfaradite | Paul Ben-Haim, Itzhak Perlman | 3:45 | |
| Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | 3:34 | |
| Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | 3:13 | |
| Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | 6:43 | |
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | 2:16 | |
| Mascagni: Cavalleria rusticana: Intermezzo sinfonico (Andante sostenuto) | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | 3:57 | |
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | 7:06 | |
| Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | 4:24 | |
| Scenes historiques II, Op. 66: II. The Love Song | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | 5:29 | |
| Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | 4:46 | |
| English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | 4:59 | |
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | 3:03 | |
| Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | 2:30 | |
| Theme - From "Schindler's List" | John Williams, Anne-Sophie Mutter, The Recording Arts Orchestra of Los Angeles | 4:12 | |
| Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | 5:43 | |
| Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | 2:22 | |
| Piano Concerto in A minor, Op. 16: 2. Adagio - attacca | Edvard Grieg, Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi | 6:18 | |
| 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | 6:07 | |
| Nice to Be Around - From "Cinderella Liberty" | John Williams, Anne-Sophie Mutter, The Recording Arts Orchestra of Los Angeles | 4:02 | |
| Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | 7:14 | |
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | 4:11 | |
| The King's Speech | Alexandre Desplat | 3:54 | |
| L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | 4:27 | |
