| Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | 6:01 | |
| Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | 3:52 | |
| Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | 3:18 | |
| Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | 7:42 | |
| Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | 3:34 | |
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | 3:14 | |
| Menuet in E-Flat Major | Nora Mercz, Georges Bizet, Janos Balint | 4:26 | |
| Andante spianato | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | 4:46 | |
| Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | 3:09 | |
| The Four Seasons: Winter, I. Allegro non molto | Academy of St. Martin in the Fields | 3:22 | |
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | 5:53 | |
| 6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | 1:55 | |
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | 2:16 | |
| Violin Concerto in D Major: II. Adagio | Joseph Bologne Saint-Georges, Zefira Valova, Il Pomo D'oro | 4:28 | |
| Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Andrei Gavrilov, Sir Neville Marriner, Academy of St. Martin in the Fields | 3:28 | |
| Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | 1:58 | |
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | 8:16 | |
| Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Renaud Capuçon | 2:01 | |
| Symphony in G Major, Bryan G6: II. Andante molto grazioso | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | 5:04 | |
| Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente) | Academy of St. Martin in the Fields | 5:14 | |
| Serenade, D. 957, No. 4 | Franz Schubert, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | 3:47 | |
Több megtekintése Songs Like X Pro-val |
| Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | 5:23 | |
| Symphony in D Major, F. 29: II. Andante grazioso | Josef Mysliveček, Matthias Bamert, London Mozart Players | 2:55 | |
| Schubert: Rosamunde, Op. 26, D. 797: Entr'acte III | Franz Schubert, Sir Neville Marriner, Academy of St. Martin in the Fields | 6:53 | |
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | 1:51 | |
| Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | 3:22 | |
| Keyboard Concerto No. 3 in D Major, BWV 1054: II. Adagio e piano sempre | Johann Sebastian Bach, Tianqi Du, Academy of St. Martin in the Fields, Jonathan Bloxham | 6:51 | |
| Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | 5:07 | |
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | 2:05 | |
| 2 Irish Pieces: No. 1. From the Countryside | William Alwyn, Ashley Wass | 2:18 | |
| Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | 2:58 | |
| Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | 2:46 | |
| Adagio in F, H.XVII No.9 | Joseph Haydn, Alfred Brendel | 5:37 | |
| Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | 10:49 | |
| Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | 3:56 | |
| Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | 3:12 | |
| The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | 6:04 | |
| On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | 5:46 | |
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | 3:48 | |
| Norfolk Rhapsody No. 1 in E minor | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | 10:42 | |
| 4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | 2:56 | |
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | 9:23 | |
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner | 5:11 | |
| Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | 3:52 | |
| 4 Lieder, Op. 27, TrV 170: No. 4, Morgen! (Arr. Reger) | Richard Strauss, Angela Hewitt | 3:52 | |
| La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | 5:02 | |
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | 2:24 | |
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | 4:11 | |
| The Banks of Green Willow | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | 6:06 | |