| Yesterday | Louis Clark & The Royal Philharmonic Orchestra | 3:29 | |
| 20th Century-Fox Fanfare with the CinemaScope Extension and Street Scene | Charles Gerhardt | 4:23 | |
| The Ice Sculpture | George Fenton | 2:04 | |
| Spartacus - Love Theme | Alex North | 3:38 | |
| Ari | Ernest Gold | 4:53 | |
| The Illusionist | Philip Glass | 2:24 | |
| Lazy (From "There's No Business Like Show Business") | Marilyn Monroe, Donald O'Connor, Twentieth Century-Fox Studio Orchestra | 3:32 | |
| Proposal (from "An Affair To Remember") | Gary Grant, Deborah Kerr | 2:31 | |
| Prison Break | Ernest Gold | 3:39 | |
| A Bridge Too Far | The Band Of The Royal Military School | 2:13 | |
| Fort Apache - Main Theme | Richard Hageman | 2:14 | |
| To Speed You on Your Way | Trevor Jones | 2:31 | |
| The Grand Ball | Jan A.P. Kaczmarek | 2:22 | |
| Forse Basta | Various Artists | 4:57 | |
| End Credits - La Golondrina | Jerry Fielding | 2:23 | |
| Desplat: The Grand Budapest Hotel | Alexandre Desplat, Emmanuel Pahud, Florentino Calvo, Orchestre National De France | 4:08 | |
| The Verdict | George Fenton | 1:20 | |
| Cockeye's Song - Dal Film 'c'era Una Volta In America' | Symphonic Orchestra | 4:15 | |
| Tour Of Paris | Rael Jones | 1:05 | |
| Prelude: Main Title (From "The Robe”, 1953 Film Score) | Alfred Newman, Twentieth Century-Fox Studio Orchestra | 1:26 | |
| Gino et Sophie - From Deux hommes dans la ville | Philippe Sarde | 2:48 | |
| Több megtekintése Songs Like X Pro-val |
| Love Theme Of Ben-Hur | Carlo Savina, The Rome Symphony Orchestra | 2:51 | |
| Songe d'Automne | Traditional, Palm Court Theatre Orchestra, Anthony Godwin | 3:54 | |
| Brideshead Revisited Theme | Geoffrey Burgon | 2:07 | |
| The Thief | Howard Shore | 4:20 | |
| Dinner Jackets | David Arnold | 1:52 | |
| The Promise of Things to Come | Jan A.P. Kaczmarek | 3:00 | |
| For A Few Dollars More - Music Clock (la resa dei conti) | Orchestra de Verona | 3:04 | |
| "Prepare for Take Off" (Amazing Grace) | George Fenton | 2:44 | |
| Django - Instrumental Version | Luis Bacalov | 2:56 | |
| Cliffhanger Theme | Trevor Jones | 3:53 | |
| Funeral / Exit | Mario Nascimbene, Mario Nascimbene Studio Orchestra | 3:55 | |
| Exodus | Ernest Gold, Marco den Toom, Arjan Post, Edith Post | 4:20 | |
| Theme and Main Title | Twentieth Century-Fox Studio Orchestra, Mario Nascimbene | 3:14 | |
| Bye, Bye Baby (From "Gentlemen Prefer Blondes") | Jule Styne, Jane Russell, Twentieth Century-Fox Studio Orchestra, Lionel Newman | 2:01 | |
| Claudia's Theme - Version Six | Lennie Niehaus, Clint Eastwood | 1:02 | |
| A New Carpet | Nino Rota, Carmine Coppola | 1:58 | |
| Shakespeare In Love: End Credits - From "Shakespeare In Love" | Stephen Warbeck | 4:31 | |
| Main Title | George Antheil, Ernest Gold, United Artists Studio Orchestra | 2:30 | |
| Solace - The Sting/Soundtrack Version (Piano Version) | Marvin Hamlisch | 3:34 | |
| Home Again: End Credits | Leonard Rosenman | 5:37 | |
| Summer in Cyprus | Ernest Gold, The Sinfonia of London Orchestra | 2:20 | |
| Spartacus Love Theme | Alex North | 2:50 | |
| London Bridge / Mary Had a little Lamb | Twentieth Century-Fox Studio Orchestra | 1:05 | |
| Cast Away | Dirk Brossé | 4:52 | |
| Thème d'amour - Bande originale du film "La folie des grandeurs" | Michel Polnareff | 2:09 | |
| A Summer Place | American West Orchestra | 3:40 | |
| The Orient Express - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | 11:20 | |
| The Sound Of Music: Overture | Oscar Hammerstein II, Michael Reed, Richard Rodgers, Royal Philharmonic Pops Orchestra | 3:13 | |
