| Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | 3:21 | |
| Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | 7:01 | |
| Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: IV. Interlude | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | 6:05 | |
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | 10:28 | |
| Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | 4:44 | |
| Prince Igor (Knyaz Igor): Act II: Ni sna, ni ordikha (There is neither sleep, nor rest) (Prince Igor) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | 7:03 | |
| Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | 3:33 | |
| Bilder einer Ausstellung: Promenade | Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar | 0:59 | |
| Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, London Symphony Orchestra, Sir Charles Mackerras | 9:49 | |
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | 3:18 | |
| Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | 1:10 | |
| Cello Concerto in E Minor: II. Andante sostenuto | Aram Khachaturian, Dmitry Yablonsky, The Moscow City Symphony Orchestra "Russian Philharmonic", Maxim Fedotov | 7:53 | |
| Cinderella-Suite Nr. 1, Op. 107: V. Mazurka | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | 5:52 | |
| Coppelia Ballet Suite: Slav Theme and Variations | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | 5:16 | |
| Shchedrin: Carmen Suite: V. Carmen’s Entrance and Habanera (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | 3:19 | |
| Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Simon Trpčeski, Andrei Kavalinski, Cristian Măcelaru, Janáček Philharmonic Ostrava | 1:23 | |
| Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | 3:53 | |
| Symphonic Sketches: I. Jubilee | George Whitefield Chadwick, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | 8:11 | |
| Respighi: Pini di Roma, P. 141: II. Pini presso una catacomba | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | 6:39 | |
| Delibes: Sylvia: Act III. Cortège de Bacchus | Léo Delibes, San Francisco Symphony, Michael Tilson Thomas | 6:01 | |
| Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | 4:48 | |
Több megtekintése Songs Like X Pro-val |
| The Snow Maiden, Op. 12: I. Introduction | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | 4:53 | |
| Cinderella-Suite Nr. 1, Op. 107: II. Pas de Chat | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | 4:00 | |
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Theme | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | 1:21 | |
| Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | 4:44 | |
| Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | 4:52 | |
| Four Dances from Estancia: Danza Del Trigo | Alberto Ginastera, Orquestra Sinfonica di Venezuela, Theodore Kuchar | 3:02 | |
| Bilder einer Ausstellung: X. The Great Gate of Kiev | Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar | 5:00 | |
| Carmen Suite: VIII. Bolero (after G. Bizet): Finale | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | 6:53 | |
| The Firebird, KC 10: IX. Second tableau - Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | 3:44 | |
| Cinderella Suite No. 2, Op. 108: VII. Galop | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | 5:01 | |
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | 9:07 | |
| The Gadfly Suite, Op. 97a: VIII. Romance | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | 5:53 | |
| Bilder einer Ausstellung: IX. The Hut on Fowls' Legs, "Baba Yaga" | Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar | 3:26 | |
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 7:11 | |
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | 6:35 | |
| Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | 5:05 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 7:34 | |
| Bilder einer Ausstellung: V. Ballet of the Chickens in their Shells | Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar | 1:11 | |
| Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | 5:29 | |
| Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": III. Andante | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | 3:44 | |
| Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | 3:18 | |
| Fantaisie, Op. 79 (Orch. Louis Aubert) | Gabriel Fauré, William Bennett, Academy of St. Martin in the Fields, Sir Neville Marriner | 5:30 | |