| Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | 6:03 | |
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | 2:42 | |
| Caprice Russe (Russian Capriccio), Op. 102 | Anton Rubinstein, USSR State Symphony Orchestra, Yevgeny Svetlanov | 6:14 | |
| Act III: Variation II La fee Argent | Moscow New Philharmonic Orchestra, Vladimir Ponkin | 0:53 | |
| La Fille Mal Gardee: Pas de (arr. March): Act II: Adagio | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | 4:30 | |
| Exeter-Polka, Op. 249 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | 1:55 | |
| Fiocco / Arr Fuessi: Allegro | Joseph-Hector Fiocco, Itzhak Perlman | 2:43 | |
| Giselle: No. 7a - Moderato; Allegro moderato; Viva | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | 2:14 | |
| Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | 2:11 | |
| La Fille Mal Gardee: Pas de (arr. March): Act II: Tempo di valse: Men's Variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | 1:06 | |
| Gautier: Le Secret | Tenenbaum & Kapp | 2:43 | |
| Grand Pas Classique Female Variation | Bruno Lawrence Raco | 1:58 | |
| La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | 2:27 | |
| Bolero | London Symphony Orchestra | 5:04 | |
| Carmen Suite No. 2: La Garde montante. Allegro (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | 3:45 | |
| Swan lake Dance of the Little Swans | SC-Mirai | 1:30 | |
| The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | 1:16 | |
| The Awakening of Flora (Ronde de Jambe) | Riccardo Drigo, Nina Miller | 1:28 | |
| Le Corsaire: Act II - "7. Grand Pas: Coda: Ali, Medora, Conrad" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | 1:43 | |
| Giselle: Peasant pas de deux (arr. March): Act I: Alegretto: Second Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | 0:58 | |
| Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | 5:36 | |
Több megtekintése Songs Like X Pro-val |
| Act I: Variation Of Basil & Friends (Minkus) | Mariinsky Orchestra | 1:17 | |
| Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | 3:10 | |
| Chopin: Waltz No. 6 in D-Flat Major, Op. 64 No. 1 "Minute" | Frédéric Chopin, Agustin Anievas | 1:47 | |
| Swan Lake - Waltz | London Philharmonic Orchestra | 5:41 | |
| Waldteufel Immer Oder Nimmer Walzer, Op.156: Emil Waldteufel | Mela Tenenbaum | 9:26 | |
| String Quartet in F Major, Op. 3 No. 5: II. Andante cantabile (Serenade) | Roman Hoffstetter, Metamorphose String Orchestra, Pavel Lyubomudrov | 3:05 | |
| Symphony No. 9 in E Minor, From The New World: Symphony No. 9 "New World Symphony": III. Scherzo - Molto vivace | Antonín Dvořák, Budapest Philharmonic Orchestra, Rico Saccani | 7:27 | |
| Die Puppenfee (The Fairy Doll): No. 11 Harlekin: Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | 2:08 | |
| Le Corsaire: Pas d Escalve - Gulnare variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | 1:19 | |
| Violin Concerto N°1 in D, Op. 6: III. Rondo (Allegro spirituoso) | The London Symphony Orchestra - Gordan Nikolitch (violin) | 5:24 | |
| Carmen Suite: VIII. Bolero (after G. Bizet): VII. Intermezzo No. 2 | Rodion Shchedrin, Monte-Carlo Philharmonic Orchestra, James DePreist | 2:11 | |
| Le Corsaire: Act I - "14. Pas d’Esclave: Lan’khadam, Gulnare" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | 1:30 | |
| Carnival of the Animals, R. 125: Aviary | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | 1:10 | |