| L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | 3:15 | |
| Rhapsody on a Theme of Paganini, Op. 43: Var. XVIII | Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler, Boston Pops Orchestra | 2:41 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 8:09 | |
| Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | 5:49 | |
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | 2:44 | |
| Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | 2:33 | |
| Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | 2:12 | |
| Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | 10:10 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 7:34 | |
| Largo al factotum from The Barber of Seville (1959 - historic recording) | US Marine Band, Gioachino Rossini, William Jones | 4:42 | |