| Cello Sonata in F-Sharp Minor, Op. 52: III. Intermezzo. Andantino | Giuseppe Martucci, Raphaela Gromes | 3:29 | |
| Suite for Cello and Orchestra, Op. 16: Gavotte | Camille Saint-Saëns, Steven Isserlis, Christoph Eschenbach | 2:57 | |
| Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | 1:34 | |
| Schubert: Piano Sonata No. 14 in A Minor, Op. posth. 143, D. 784 "Grande Sonate": II. Andante | Franz Schubert, Eric Lu | 4:44 | |
| Tavener: The Protecting Veil: VII. The Dormition | John Tavener, Steven Isserlis, London Symphony Orchestra, Gennady Rozhdestvensky | 7:33 | |
| Cello Concerto No. 1 in C Major, Hob.VIIb:1: I. Moderato | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | 10:01 | |
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | 3:27 | |
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | 1:43 | |
| 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | 3:11 | |
| Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | 2:52 | |
| Berceuse, Op. 16 | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | 3:28 | |
| Gavotte No. 2 in D Major, Op. 23 | David Popper, Steven Isserlis, Stephen Hough | 4:45 | |
| Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | 1:25 | |
| Romance oubliée, S. 527: Romance oubliée, S. 132/R. 467a | Franz Liszt, Nobuko Imai, Roland Pöntinen | 4:49 | |
| Quartet in F Minor, Op. 28: III. Tempo di Mazurka | Luise Adolpha Le Beau, Kaleidoscope Chamber Collective | 3:34 | |
| Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | 2:33 | |
| The Swans glide on the Bishop's Moat | John Graves, Steven Isserlis, Stephen Hough | 1:54 | |
| Rimsky-Korsakov: Serenade for Cello and Orchestra, Op. 37 | Nikolai Rimsky-Korsakov, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe | 4:28 | |
| 24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | 2:27 | |
| Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | 3:57 | |
| 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | 1:17 | |
| Több megtekintése Songs Like X Pro-val |
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | 8:50 | |
| Today and it’s gone (Munich Session) | Carlos Cipa | 4:18 | |
| Andante (original version of Romance, Op. 69) | Gabriel Fauré, Steven Isserlis, Francis Grier | 4:33 | |
| Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | 7:05 | |
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | 6:38 | |
| With Miriam by the River | Gavin Bryars, Steven Isserlis, Stephen Hough | 3:36 | |
| String Quartet No. 2, JW 7/13 "Intimate Letters": II. Adagio | Leoš Janáček, Melos Quartet | 6:08 | |
| Cello Sonata No. 1 in C Minor, Op. 32: III. Allegro quasi presto (Original Version) | Reynaldo Hahn, Steven Isserlis, Connie Shih | 9:03 | |
| Symphony No. 3 in F Major, Op. 90 (version for piano 4 hands): III. Un poco allegretto | Johannes Brahms, Christian Kohn, Silke-Thora Matthies | 6:05 | |
| Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Pierre Génisson, Bruno Fontaine | 3:09 | |
| Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | 6:26 | |
| Symphonie fantastique: V. Dream of a Witches' Sabbath, Larghetto - Allegro) | Hector Berlioz, Philadelphia Orchestra, Christoph Eschenbach | 10:14 | |
| Tchaikovsky: Pezzo capriccioso, Op. 62 | Pyotr Ilyich Tchaikovsky, John Eliot Gardiner, Steven Isserlis, Chamber Orchestra of Europe | 5:49 | |
| 6 Israeli Melodies: No. 1, Legend | Joachim Stutschewsky, Steven Isserlis, Stephen Hough | 2:24 | |
| Violin Concerto No. 3: III. Vivo | Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz | 7:18 | |
| Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | 1:20 | |
| Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | 3:56 | |
| Songs My Mother Taught Me, Op. 55 No. 4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | 2:14 | |
| Horn Sonata in F Major, Op. 17 (Version for Cello): II. Poco adagio, quasi andante | Ludwig van Beethoven, Robert Levin, Steven Isserlis | 1:18 | |
| Cello Concerto in E Minor, Op. 85: II. Lento – Allegro molto | Edward Elgar, Paavo Järvi, Philharmonia Orchestra, Steven Isserlis | 4:48 | |
| Symphonie Concertante for Violin, Harp and Orchestra in G Major, WoO 13: II. Adagio | Louis Spohr, María Dueñas, Volker Kempf, Wiener Symphoniker, Manfred Honeck | 4:48 | |
| Mazurka in F Minor, Op. Posth. 68: No. 4 Andantino | Frédéric Chopin, Maurizio Pollini | 2:00 | |
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | 1:50 | |
| Erlkönig, D. 328 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | 3:52 | |
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | 2:24 | |
| Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | 3:32 | |
| Piano Quintet in F Minor, FWV 7: II. Lento, con molto sentimento - Live from Verbier Festival / 2014 | César Franck, Marc-André Hamelin, Joshua Bell, Pamela Frank, Nobuko Imai, Steven Isserlis | 10:16 | |
| Im Abendrot, D. 799 (Transcr. for Cello and Piano) - Musical Moments | Franz Schubert, Kian Soltani, Aaron Pilsan | 4:22 | |
