Recording 82 | The Fabulous Three | 3:20 | ||
On The Streets | Mikis Theodorakis | 4:30 | ||
Foreign Film Festival | Antonio Maria, John Barry, Mikis Theodorakis, Norman Gimbel, Riz Ortolani, William Engvick, Don Black, Georges Auric, Michel Legrand, Nino Oliviero, Jacques Demy, Norman Newell, Henry Mancini | 10:37 | ||
The Set | Sven Libaek | 4:22 | ||
Confessione di un commissario - Version 2 | Riz Ortolani | 2:56 | ||
Roxy | Sandro Brugnolini | 3:33 | ||
Answer Me Softly Pt2 | The Fabulous Three | 2:43 | ||
La Victime | Karl-Heinz Schäfer | 3:39 | ||
Serena e Lomunno | Riz Ortolani | 2:49 | ||
Sacha Pacha - Remastered | Janko Nilovic | 3:24 | ||
The Positive and the Negative | Minoru Muraoka | 9:24 | ||
Perfume Bottles | Galt MacDermot | 2:08 | ||
Raga Rock | The Braz Gonsalves 7 | 6:12 | ||
Odyssey Revised | The Fabulous Three | 4:04 | ||
The Shadow of Your Smile | Jack McDuff | 3:52 | ||
Wheels | Les Baxter | 2:59 | ||
Northern Lights | Puccio Roelens | 5:18 | ||
La silence des cendres | Ahmed Malek | 3:14 | ||
Pedinamento e agguato - Version 2 | Riz Ortolani | 3:21 | ||
Liquid Sunshine | John Cameron | 2:59 | ||
Acquital | David Lindup | 1:35 | ||
Több megtekintése Songs Like X Pro-val | ||||
Zorongo | Santisteban | 2:33 | ||
Friends of the Garden, Pt. 1 | noonday underground | 1:08 | ||
Solar Flares | Sven Libaek | 3:31 | ||
Masquerade | Armando Trovajoli | 2:59 | ||
Solid Satin | Alan Parker | 2:17 | ||
African Pop Session | Manu Dibango | 2:52 | ||
Running fast | Stefano Torossi | 4:26 | ||
Hot Property | Keith Mansfield | 1:59 | ||
Requiem pour un con (instrumental) | Michel Colombier | 3:19 | ||
Playmate | Rolf Kühn | 2:31 | ||
Drinking Coco | Riz Ortolani | 3:26 | ||
Chanel N. 7 | Gianni Oddi | 3:50 | ||
Wonder | I Marc 4 | 1:43 | ||
Morning Broadway | Keith Mansfield, The KPM Orchestra | 2:05 | ||
Afro Metropolis | John Cameron | 2:43 | ||
Un uomo forte | Riz Ortolani | 2:29 | ||
Here's Looking at You, Kid | Henry Mancini | 2:50 | ||
Pao de Açucar | Pierre Cavalli | 3:47 | ||
Studio 69 | Alan Hawkshaw | 1:54 | ||