| The Tender Land: Finale - The Promise of Living - Orchestral suite from the opera | Aaron Copland | 5:37 | |
| Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | 8:39 | |
| String Quintet No. 60 in C Major, Op. 30 No. 6, G. 324 "La musica notturna delle strade di Madrid": IV. Il rosario: Largo assai - Allegro | Luigi Boccherini, Eckart Runge, Cuarteto Casals | 4:41 | |
| Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | 6:46 | |
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | 3:14 | |
| Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | 2:55 | |
| Rodeo: IV. Saturday Night Waltz | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | 5:00 | |
| Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | 8:05 | |
| Holberg Suite (for string orchestra), Op. 40; V Rigaudon | Edvard Grieg, Jan Bjøranger, 1B1 | 3:01 | |
| Oboe Concerto: Allegro moderato | Richard Strauss, John De Lancie, Max Wilcox | 8:29 | |
| The Red Pony Suite: IV. Walk To The Bunkhouse | Aaron Copland, Buffalo Philharmonic Orchestra | 2:57 | |
| Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | 3:03 | |
| Lonely Waters, R. 27 | Ernest John Moeran, Vernon Handley, Ulster Orchestra | 9:21 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 7:34 | |
| Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | 1:09 | |
| Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | 2:34 | |
| Adams: The Death of Klinghoffer, Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | 8:40 | |
| Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | 1:35 | |
| The Red Pony Suite: VI. Happy Ending | Aaron Copland, Buffalo Philharmonic Orchestra | 3:10 | |
| M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | 5:16 | |
| Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | 1:49 | |
Több megtekintése Songs Like X Pro-val |
| Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | 4:00 | |
| Colonial Song | Percy Grainger, Slovak Radio Symphony Orchestra | 5:36 | |
| Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | 9:30 | |
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | 2:48 | |
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | 2:13 | |
| The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | 9:21 | |
| English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | 4:59 | |
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | 10:51 | |
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 7:11 | |
| Horn Concertino in E Minor, Op. 45, J. 188: III. Polacca | Carl Maria von Weber, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar | 4:40 | |