| Il Barbiere di Siviglia: Dunque io son | Gioachino Rossini, Cesare Sterbini, Lily Pons, Giuseppe Valdengo, Alberto Erede | 5:06 | |
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | 7:06 | |
| Ravel: Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | 3:28 | |
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | 9:52 | |
| Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) | Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | 2:21 | |
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 7:11 | |
| Saint-Saëns: Samson et Dalila, Op. 47, Act III, Scene 2: Bacchanale | Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra National de Paris | 7:00 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 8:16 | |
| Wagner: Die Meistersinger von Nürnberg, Act I: Prelude | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | 9:53 | |
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