Sometime Ago | Bob Brookmeyer | 4:04 | ||
The Aftermath of Love | Lalo Schifrin | 3:03 | ||
Pent-Up House | Guy Barker, Pete King, Iain Dixon, Robin Aspland, Arnie Somogyi, Clark Tracey | 2:37 | ||
Good Night Sweetheart | Enoch Light | 2:42 | ||
The Old Quarter | Franck Barcellini, Alain Romans | 2:40 | ||
How Is the Weather In Paris (from "Monsieur Hulot's Holiday") | Alain Romans | 2:14 | ||
77 Sunset Strip Cha Cha | Warren Barker Orchestra | 2:06 | ||
Another Happening | Neil Richardson | 1:49 | ||
Le retour de Roch - From Borsalino & Co | Claude Bolling | 2:40 | ||
Zing! Went the Strings of My Heart | Vince Giordano And The Nighthawks | 4:13 | ||
Les sax brothers - From "Nous irons tous au paradis" | Vladimir Cosma | 4:19 | ||
Sunny | Dave Pike | 3:20 | ||
Meet Mr. Solo | Hugo Montenegro & His Orchestra | 2:26 | ||
California Suite - 1978 | Claude Bolling, Hubert Laws | 2:30 | ||
Solo Theme | Syd Dale | 2:33 | ||
Strollin' Blues | The Universal International Orchestra | 2:40 | ||
Recado | Original Paris Swing | 4:07 | ||
The Carioca | The Nighthawks, Vince Giordano | 3:06 | ||
Quel temps fait-il à Paris ? - du film "Les vacances de Monsieur Hulot", 1953 | Alain Romans | 2:19 | ||
Ice Pick Mike | Lalo Schifrin | 3:00 | ||
The Girl with the Sun in Her Hair | John Barry Orchestra | 2:53 | ||
Több megtekintése Songs Like X Pro-val | ||||
Alone | Don Ellis, The Don Ellis Orchestra | 5:31 | ||
Cornfield | Dudley Moore Trio | 2:36 | ||
St. Thomas | Sonny Rollins | 3:55 | ||
Cantata for Combo | Lalo Schifrin | 3:05 | ||
Brazil | Xavier Cugat & His Orchestra | 2:40 | ||
Secret Agent Man - From the CBS-TV show "Secret Agent" | Hugo Montenegro & His Orchestra | 2:36 | ||
Theme From I Spy | The Cuffs | 2:22 | ||
Willie Boy | Les Elgart, Larry Elgart | 1:37 | ||
Charade | Si Zentner | 2:38 | ||
Again | Hugo Montenegro & His Orchestra | 3:06 | ||
A Shot In The Dark - Remastered | Jimmy Haskell | 2:06 | ||
The Late, Late Show - Remastered | Milt Buckner | 3:38 | ||
Intrigue | Lalo Schifrin | 2:38 | ||
Airport Love Theme #2 | Alfred Newman | 2:43 | ||