| Partly | Ellie Williams | 2:59 | ||
| Drug 2 Me | Christian Alexander | 4:06 | ||
| Double Knot | Milkkid | 3:01 | ||
| Turnaround | COIN | 3:37 | ||
| Crazy | David Alexander | 3:13 | ||
| What'd You Do That For? | The New Crowns | 4:40 | ||
| January | Verzache | 3:16 | ||
| Of My Dreams | Doug Cilli | 3:09 | ||
| 15 | Bishop Ivy | 3:17 | ||
| The Internet | Comfort Club | 3:13 | ||
| Love Me Please | OCTAVIO the Dweeb | 3:52 | ||
| PEOPLE FUEL | Palmertrees | 2:53 | ||
| Eh...eh | Nic Howell | 2:14 | ||
| Keep Dancing | badly | 4:21 | ||
| Flowerbomb | Alec Bailey | 3:22 | ||
| Oxytocin | Jack Conman | 4:05 | ||
| Thinking on My Own | Ralph Castelli | 3:46 | ||
| Lovers | Rebounder | 3:34 | ||
| When You Wake Up | Airbud, Katherine McMorrow | 4:28 | ||
| When You Want To | Butler, Maggie Miles | 3:44 | ||
| Drunk Me | Davin Kingston | 3:08 | ||
| Több megtekintése Songs Like X Pro-val | ||||
| welcome to hell | gabriel black | 2:03 | ||
| Stories | Refs | 3:39 | ||
| wrong. | okay. | 4:23 | ||
| SUCH A MESS | Palmertrees | 3:14 | ||
| Between U & Me | Zack Whisler | 3:28 | ||
| Angelina | Juniper | 3:10 | ||
| Body Language | Miki Ratsula | 4:39 | ||
| Dear Daisy, | sage ella | 4:41 | ||
| Bedroom Floor | Sneaky Peaches and the Fuzz | 3:24 | ||
| i should be happy | lovelytheband | 4:03 | ||
| Clever | Nolie | 2:31 | ||
| The One to Blame | c a n d i d ! | 4:49 | ||
| sophie | Valentine | 3:47 | ||
| Sunset Wife | Emmett Mulrooney, Sean Gerty | 2:59 | ||
| This Isn't a Love Song | sunshine blvd. | 4:43 | ||
| Morning | Tennis Club | 4:01 | ||
| Water and Salt | Ayden Trammell, myclownshoes | 4:05 | ||
| Roses | badly | 2:10 | ||
| useless | a kid named rufus | 2:36 | ||
| 30 | Restless Modern | 3:28 | ||
| Urs | John-Robert | 3:10 | ||
| Quarantine Dreaming | PLEASE HOLD | 3:48 | ||
| Different | Aidan Bissett | 3:20 | ||
| She Loves Me | Alexander 23 | 2:28 | ||
| text talk touch | Alt Bloom, gnash | 3:53 | ||
| Feelings Are Cliché | Olivia Willhite | 4:17 | ||
| Apple Eyes | Porsh Bet$ | 2:10 | ||
| Tennessee | Peter Manos | 2:43 | ||
