| The Barber of Seville, Overture | Gioachino Rossini, The King's Singers | 3:27 | |
| Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act II: The World Is Mean (Polly, Peachum, Mrs. Peachum) | Kurt Weill, Marc Blitzstein, Jo Sullivan Loesser, Martin Wolfson, Charlotte Rae, Artist Unknown, Samuel Matlowsky | 2:45 | |
| Clowns and Kids Suite (arr. F. Strobel): II. Intermezzo | Alfred Schnittke, Frank Strobel, Berlin Radio Symphony Orchestra | 1:38 | |
| Little Threepenny Music: VII. Cannon Song | Kurt Weill, Sir Simon Rattle, London Symphony Orchestra | 2:24 | |
| La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | 2:31 | |
| Petite messe solennelle: I. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | 2:32 | |
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Marianne Crebassa, Marc Minkowski, Mozarteum Orchestra Salzburg | 2:42 | |
| Adams: The Death of Klinghoffer, Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | 8:40 | |
| Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | 3:50 | |
| Contrastes: VI. Fugue/Tango | Richard Galliano, South Czech Philharmonic, Miran Vaupotic, Sebastien Giniaux | 1:41 | |
| I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | 5:03 | |
| Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | 4:35 | |
| Sadko: Song of the Indian Guest | Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov | 3:34 | |
| Si mes vers avaient des ailes | Reynaldo Hahn, Susan Graham | 2:19 | |
| Sea Love | Ulrika Nilsson, Anna Schulze | 1:59 | |
| Petite messe solennelle: I. Kyrie | Gioachino Rossini, RIAS Kammerchor, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | 2:29 | |
| Youkali | Kurt Weill, Ludwig Orchestra, Barbara Hannigan | 5:46 | |
| Southland Sketches: III. Allegretto grazioso | Harry Burleigh, Calefax Reed Quintet | 2:53 | |
| Tchaikovsky / Arr. Nakariakov: Andante cantabile for Flugelhorn and Orchestra (After String Quartet No. 1, Op. 11) | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | 7:01 | |
| Smyth: The Wreckers: Overture | Ethel Smyth, Sir Alexander Gibson, Scottish National Orchestra | 9:31 | |
| Alice in Wonderland: No. 7. Croquet | Cellophony, Simon Callow | 4:37 | |
Több megtekintése Songs Like X Pro-val |
| Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | 2:25 | |
| Die Seeräuber-Jenny | Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera | 5:28 | |
| Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: V. Finale alla marcia | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | 6:42 | |
| Die Dreigroschenoper: Akt II, Der Pferdestall ("Mackie muss fliehen und nimmt Abschied von Polly") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | 0:56 | |
| Kleiner Wiener Marsch | Fritz Kreisler, Salonorkest Trocadero | 3:39 | |
| Poulenc: Léocadia, FP 106: Les chemins de l'amour | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | 3:11 | |
| Trois petites pièces: Gigue | Augusta Holmès, Juliette Hurel, Hélène Couvert | 1:23 | |
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