| Générique de fin | Gabriel Yared | 1:41 | |
| Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | 2:44 | |
| Soy Marco | Alberto Iglesias | 2:21 | |
| Adagio [from Lady Macbeth of the Mtsensk District] | Dmitri Shostakovich, Gidon Kremer | 4:38 | |
| Milonga en re | Gidon Kremer | 4:25 | |
| O virtus sapientiae (Arr. for Cello & Orchestra by Julian Riem) | Hildegard von Bingen, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | 2:42 | |
| Hornpipe | David Orlowsky, David Bergmüller | 2:33 | |
| Coppice | Balanescu Quartet | 2:30 | |
| Trishna and Jay | Shigeru Umebayashi | 3:23 | |
| Vocalise-étude en forme de Habanera, M.51 | Maurice Ravel, Todd Levy, Jeannie Yu | 3:10 | |
| Concerto No. 2 for Cello and String Orchestra, "Klatbutne / Presence": III. Adagio | Pēteris Vasks, Sol Gabetta | 12:27 | |
| Capriccio for 2 Violins Op. 8 No. 14, "Per sonare il violino con tre corde a modo di lira" | Biagio Marini, Repicco | 3:22 | |
| 夢二のテーマ | 梅林 茂 | 2:30 | |
| Dedications: Solitude (For Yehudi Menuhin) | Nigel Kennedy, Oxford Philharmonic Orchestra, The Stella | 5:29 | |
| Fratres, für Violine und Klavier | Kayako Bruckmann, Arvo Pärt, Michael Van Krücker | 11:59 | |
| Pluhar: Orfeo Chamán, Act 2: Passacaglia di Eurídice | Christina Pluhar, L'Arpeggiata | 1:25 | |
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