| Saint-Saëns: Samson et Dalila, Op. 47, Act 2, Scene 3: Récitatif. "C'est toi ! C'est toi, mon bien-aimé !" (Dalila, Samson) | Camille Saint-Saëns, Georges Prêtre, Rita Gorr, Jon Vickers, Orchestre du Théâtre National de l'Opéra de Paris | 2:44 | |
| Bridal Procession, Op. 19 No. 2 | Edvard Grieg, Yuri Temirkanov | 3:31 | |
| Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Jack Brymer, Sir Thomas Beecham, Royal Philharmonic Orchestra | 8:53 | |
| Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | 3:02 | |
| Sonata op. 166: Andantino | Camille Saint-Saëns, Pauline Oostenrijk, Ivo Janssen | 3:08 | |
| Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | 3:34 | |
| Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | 3:46 | |
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | 10:20 | |
| Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | 9:53 | |
| Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen, Oslo Philharmonic Orchestra, Oslo Philharmonic Chorus, Terje Kram, Barbara Hendricks | 2:33 | |
| 8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso (Transcribed by Oscar Morawetz for Violin, Cello & Orchestra) | Antonín Dvořák, Seiji Ozawa, Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra | 3:30 | |
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