| Mrs Us | Halloweens | 3:18 | ||
| Time To Go | Teenage Dads | 3:23 | ||
| Subject A | The Buoys | 2:59 | ||
| THE GEARS | Devon | 3:02 | ||
| Just Mates | SOFY | 2:40 | ||
| Last One Standing | Lola Scott | 3:46 | ||
| HER WAY | Finn Foxell | 2:10 | ||
| Saskia | Greta Stanley | 4:12 | ||
| A Day in the Life of a No Good Pirate | Teenage Dads | 4:29 | ||
| Hardly News | Declan Welsh and The Decadent West | 3:22 | ||
| Moneypenny | LA WOMEN | 4:18 | ||
| Dead Beat City | Kids That Fly | 3:53 | ||
| Backseats | Bug Eyed | 3:20 | ||
| Better Than Last | FEET | 2:40 | ||
| Starlight | Sumner | 3:21 | ||
| Lads! Lads! Lads! | SOFY | 3:00 | ||
| Compliment Strike | Sarah Crean | 3:24 | ||
| Yes You Can | Glass Caves | 3:21 | ||
| All My Friends | Big Sleep | 3:24 | ||
| Take It To The Grave | Alex Amor | 2:51 | ||
| Can't Stop Dancing | modernlove. | 4:03 | ||
| Több megtekintése Songs Like X Pro-val | ||||
| Diet Coke & Benzos | Death by Denim | 3:10 | ||
| Uptight | Home Counties | 4:39 | ||
| Daisy Chain | Royel Otis | 3:01 | ||
| Mush Machine | Darwin Deez | 3:24 | ||
| Iconic | Hana Lili | 2:26 | ||
| Like Best Friends | Dirty Nice | 3:09 | ||
| Nails | Hope D | 3:10 | ||
| Delay | Rec Hall | 3:29 | ||
| Drag | Alfie Templeman | 3:06 | ||
| Guard My Heart | The Buoys | 4:07 | ||
| Sorry That You're Mine | SOFY | 3:17 | ||
| Gaslight | Dutch Criminal Record | 3:27 | ||
| .mp3 | Coupdekat | 3:03 | ||
| Hey... | Bronte Alva | 3:05 | ||
| days like these | Abbie Ozard | 2:14 | ||
| Fig Tree | Chloe Slater | 3:41 | ||
| Everything Changed | Circa Waves | 3:49 | ||
| Community Service | Bottle Rockets | 2:57 | ||
| We'll Figure It Out | Teddy at Night | 3:12 | ||
| just a gimmick | Ūla | 2:56 | ||
| BDSM | The Buoys | 3:33 | ||
| Dirty Laundry | Alfie Templeman | 2:21 | ||
| Espresso - triple j Like A Version | Good Neighbours | 3:04 | ||
| He's A Lad | Noah Dillon | 3:50 | ||
| Pink Cheetah Print Slip | Charlie Houston | 1:47 | ||
| Latency | Blu DeTiger | 2:36 | ||
| On & On | SPINN | 3:16 | ||
| Adoringly Drunk | The Criticals | 3:05 | ||
