| Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | 3:28 | |
| Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Itzhak Perlman, Daniel Barenboim, Berliner Philharmoniker | 8:52 | |
| Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | 6:23 | |
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | 4:24 | |
| Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | 9:54 | |
| Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | 3:18 | |
| 8 Pieces, Op. 83 (Arr. for Violin, Viola & Piano): No. 2, Allegro con moto | Max Bruch, Natalia Lomeiko, Yuri Zhislin, Ivan Martin | 2:39 | |
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | 4:40 | |
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | 7:42 | |
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 7:11 | |
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | 2:27 | |
| Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | 3:05 | |
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | 2:48 | |
| Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | 2:19 | |
| Thaïs: Méditation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | 6:01 | |
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | 2:02 | |
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