| Subte | Las eras | 4:24 | ||
| Cleric | Profit Prison | 5:51 | ||
| Strohmann | Riki | 4:19 | ||
| Cuerpo y Veneno | Lust Era | 2:10 | ||
| TV News | Werner Karloff | 4:39 | ||
| Lamanai | Linea Aspera | 3:58 | ||
| Cardenal en el infierno | Varsovia | 2:57 | ||
| Sacrificio | Vacíos Cuerpos | 3:09 | ||
| Dotted Lines | Skeleton Hands | 4:27 | ||
| Black God Post-Punk mexicano | Mementut | 4:25 | ||
| Pulsation | Noisegun | 3:38 | ||
| Durdu Dünya (Boy Harsher Remix) | She Past Away, Boy Harsher | 5:42 | ||
| Baila Conmigo | Lust Era | 2:02 | ||
| Esclavas | Cruz De Navajas | 3:57 | ||
| Los Impostores | Equinoxious | 4:27 | ||
| Scissors | Led Er Est | 3:34 | ||
| Reina Negra | Leonora Post Punk | 2:23 | ||
| Infame | Vacíos Cuerpos | 3:00 | ||
| Twilight | Paradox Obscur | 3:44 | ||
| Dream | Flesh of Morning | 4:21 | ||
| Lost in a Moment | Forever Grey | 5:16 | ||
| Több megtekintése Songs Like X Pro-val | ||||
| Dark Age | Dancing Plague | 3:47 | ||
| Cicatrices | Píldora Letal | 2:43 | ||
| Kulminacja Oddzielenia | Belgrado | 4:02 | ||
| Descontrol | Rey Rata | 3:42 | ||
| Cleo | Keluar | 4:34 | ||
| Métropole Sous la Pluie | Automelodi | 4:29 | ||
| Double Negative | Second Still | 3:15 | ||
| Babes of the 80s | Lebanon Hanover | 5:41 | ||
| Vértigo | Paranormales | 3:52 | ||
| Desastre Personal | Mueran Humanos | 5:15 | ||
| Heridas de Papel | Funeralz | 3:21 | ||
| My Heart Is Immortal | Cold Cave | 4:38 | ||
| Réflexe | Paradox Obscur | 4:05 | ||
| Венера-11 | Equinoxious | 3:21 | ||
| Labor | Ssleeping Desiress | 4:01 | ||
| Maze | Figure Study | 3:41 | ||
| Frío | Las eras | 4:07 | ||
| Fate | Boy Harsher | 4:17 | ||
| Gray Filter | Ritual Veil | 3:12 | ||
| Pánico en Manhattan | Grado 33 | 4:31 | ||
| Anxiety | Tearful Moon | 3:49 | ||
| Malarone | Linea Aspera | 4:11 | ||
| Two Headed Dream | Night Sins | 4:17 | ||
| La poussière | Automelodi | 4:25 | ||
| Funeral For Love | Velvet Condom | 3:47 | ||
| Nubes | San Charbel | 3:10 | ||
| Cincelando Éter | Equinoxious | 4:01 | ||
| Soluk | She Past Away | 4:57 | ||
