| L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | 6:30 | |
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | 6:36 | |
| Mahler: Symphony No. 2 in C Minor "Resurrection": V. (e) Langsam. Misterioso. "Aufersteh'n, ja aufersteh'n wirst du" | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker, Kate Royal, Rundfunkchor Berlin | 6:30 | |
| Francesca da Rimini, Op. 25: Scene II: Moderato | Sergei Rachmaninoff, Mariana Zvetkova, Boiko Zvetanov, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | 2:34 | |
| Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | 6:29 | |
| String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | 4:47 | |
| Grieg: 4 Symphonic Dances, Op. 64: I. Allegro moderato e marcato | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | 7:09 | |
| String Quartet No. 14 in D Minor, D. 810 "Der Tod und das Mädchen": IV. Presto – Prestissimo | Franz Schubert, Jerusalem Quartet | 9:03 | |
| Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | 7:05 | |
| Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, David Zinman | 8:37 | |
| L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | 5:23 | |
| String Quartet No. 14 in D Minor, D. 810 "Der Tod und das Mädchen": III. Scherzo (Allegro molto) | Franz Schubert, Jerusalem Quartet | 3:48 | |
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | 9:53 | |
| Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | 9:40 | |
| Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | 9:59 | |
| Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | 7:26 | |
| Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | 2:45 | |
| Concerto for Piano, Trumpet and String orchestra Op. 35 in C Minor: II. Lento | Dmitri Shostakovich, Alexander Melnikov, Jeroen Berwaerts, Teodor Currentzis, Mahler Chamber Orchestra | 8:30 | |
| Romance in F Minor, Op. 5: Andante cantabile | Pyotr Ilyich Tchaikovsky, Oxana Yablonskaya | 6:08 | |
| Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | 4:11 | |
| The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | 4:35 | |
| Több megtekintése Songs Like X Pro-val |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 7:34 | |
| Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | 9:55 | |
| Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | 8:29 | |
| Tristan und Isolde, Act I: Prelude | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | 10:35 | |
| Violin Concerto No. 1 in G minor, Op. 26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | 8:44 | |
| Souvenir de Florence, Op. 70, TH 118: III. Allegro moderato - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | 6:10 | |
| Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": Ia. Adagio - Allegro moderato - | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | 10:27 | |
| Kinderszenen, Op. 15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | 2:12 | |
| Eugene Onegin, Op. 24, TH.5 / Act 1: Scene. "Nu ti, moya vostrushka" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Sarah Walker, Olga Borodina, Irina Arkhipova, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | 3:18 | |
| Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | 10:32 | |
| Violin Concerto No. 1 in G minor, Op. 26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | 7:32 | |
| Three Movements 'Petruschka': Danse russe. Allegro giusto | Igor Stravinsky, Maurizio Pollini | 2:34 | |
| 4 Pieces, Op. 51: II. Prélude | Alexander Scriabin, Evgeny Kissin | 2:11 | |
| Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Staatskapelle Dresden, James Levine | 3:32 | |
| Sonata in C Major, Kk. 159 | Domenico Scarlatti, Daniel Barenboim | 2:22 | |
| Piano Concerto No. 2 in A Major, S. 125: I. Adagio sostenuto assai - Allegro agitato assai | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | 7:26 | |
| Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" | Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | 2:34 | |
| La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | 8:48 | |
| Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | 4:56 | |
| Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | 8:52 | |
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale – Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | 9:52 | |
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): II. Act II. Opening - Interlude 3 - Interlude 4 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | 9:10 | |
| Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | 6:21 | |
| Violin Concerto in D Minor, Op. 47: I. Allegro moderato | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | 15:57 | |
| Der Freischütz, J. 277, Act III: Und ob die Wolke sie verhülle | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | 5:57 | |
| L'Arlésienne Suite No. 1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | 2:37 | |
| Violin Concerto No. 2 in D Minor, Op. 22: III. Allegro confuoco | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | 5:55 | |
| The Rite of Spring, K15, Pt. 1: IV. Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | 3:37 | |
