| L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | 2:19 | |
| Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | 6:23 | |
| Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | 1:57 | |
| Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | 6:29 | |
| Suite im alten Stil, Op. 10: Adagio | Christian Sinding, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | 5:57 | |
| Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | 1:33 | |
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | 7:18 | |
| Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | 2:08 | |
| Capriol Suite: V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | 3:38 | |
| A Downland Suite: III. Minuet | John Ireland, English String Orchestra, William Boughton | 4:57 | |
| Oblivion | Ksenija Sidorova, Thomas Gould | 4:24 | |
| Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | 3:47 | |
| Adagio from Piano Sonata No. 14 in C-Sharp Minor "Moonlight Sonata", Op. 27 No. 2 (Arr. Leopold Stokowski) | Ludwig van Beethoven, Matthias Bamert, BBC Philharmonic | 6:24 | |
| Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | 1:40 | |
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | 9:53 | |
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | 6:34 | |
| Symphony No. 1 in G Major: II. Andante | Hubert Parry, Matthias Bamert, London Philharmonic Orchestra | 10:56 | |
| Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | 6:28 | |
| Adams: Chamber Symphony: I. Mongrel Airs | John Adams, Aurora Orchestra, Nicholas Collon | 7:34 | |
| Charterhouse Suite: Slow Air | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | 3:41 | |
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | 2:10 | |
| Több megtekintése Songs Like X Pro-val |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 7:34 | |
| Spring Sorrow (arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | 3:48 | |
| La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | 2:54 | |
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | 3:14 | |
| Copland: Appalachian Spring: II. Allegro | Aaron Copland, Aurora Orchestra, Nicholas Collon | 2:45 | |
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | 8:00 | |
| Requiem aeternam | John Rutter, The Cambridge Singers, Aurora Orchestra | 6:04 | |
| Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | 2:33 | |
| St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | 3:55 | |
| Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, Janáček Philharmonic Orchestra | 5:57 | |
| Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | 2:33 | |
| Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo | Henry Litolff, San Francisco Symphony, Michael Tilson Thomas | 7:35 | |
| Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | 5:07 | |
| Let Us Garlands Bring, Op. 18: Come Away, Come Away, Death (Arr. for Saxophone & Piano) | Gerald Finzi, Naomi Sullivan, Robin Bigwood | 3:32 | |
| Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | 9:32 | |
| Im Abendrot, D. 799 (Transcr. for Cello and Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | 4:22 | |
| Vesperae solennes de confessore in C Major, K. 339: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson) - Grand Piano | Wolfgang Amadeus Mozart, Víkingur Ólafsson | 4:56 | |
| Malaika | William Fedhile, Pumeza Matshikiza, Aurora Orchestra, Iain Farrington | 2:47 | |
| Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | 10:49 | |
| There's Nae Lark (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | 1:23 | |
| The Crossing | Ola Gjeilo, Thomas Gould, Ciaran McCabe, Jon Thorne, Matthew Sharp | 3:37 | |
| Pelléas et Mélisande, Op. 80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | 3:54 | |
| English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | 3:19 | |
| Lose Blätter, Op. 13: No. 12, Choral | Max Reger, Markus Becker | 1:31 | |
| Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | 3:14 | |
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | 5:10 | |
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | 1:42 | |
| I Am The Gentle Light | Paul Mealor, Tenebrae, Aurora Orchestra, Nigel Short | 2:48 | |
