| Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | 2:09 | |
| Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | 3:47 | |
| Love's Philosophy | Roger Quilter, Jodie Devos, Nicolas Krüger | 1:22 | |
| 5 Lieder: No. 5. Ich wandle unter Blumen | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | 1:08 | |
| Act I: Viel Dank bin ich ihm schuldig | Albert Lortzing, Hans Sotin, Georgine Resick, Staatskapelle Dresden, Bernhard Klee | 2:04 | |
| Considering Matthew Shepard, Passion: No. 19, The Fence (One Week Later) | Craig Hella Johnson, Lesléa Newman, Conspirare | 3:19 | |
| Tu lo sai | Giuseppe Torelli, Holly Bewlay, Sarah Rhee | 2:44 | |
| Havets sommar: No. 8, Skymning | Ture Rangström, Georgine Resick, Warren Jones | 1:08 | |
| L'Heure exquise | Reynaldo Hahn, Susan Graham | 2:28 | |
| Reeds of Innocence | Irene Poldowski, Jodie Devos, Nicolas Krüger | 2:08 | |
| Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | 4:11 | |
| Scherzo Humoristique: The Cat and the Mouse (1920) | Aaron Copland, Leo Smit | 3:46 | |
| Snowflakes, Op. 47 (Version for Voice & Piano): No. 3, The Little Calf | Alexander Gretchaninov, Georgine Resick, Warren Jones | 1:04 | |
| Sweet Chance That Led My Steps Abroad | Charlotte Hoather, George Todica | 1:55 | |
| Sonata for Flute and Piano: III. Allegro moderato - Quasi l’istesso tempo ma un poco più tranquillo | Leo Smit, Jocelyn Aubrun, Aline Piboule | 4:47 | |
| It Was a Lover and His Lass: It was a Lover and his Lass | Ralph Vaughan Williams, Anthony Rolfe Johnson, Simon Keenlyside, Graham Johnson, Duke Quartet | 1:56 | |
| How Beautiful Thy Temples, Lord (Arr. R.L. Rowberry for Voice & Piano) | Tracy Y. Cannon, Clayne Robison, Reid Nibley | 3:29 | |
| Poèmes pour Mi, Premier Livre: No. 3, La Maison | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | 1:21 | |
| Britten: Winter Words, Op. 52: No. 1, At Day-Close in November | Benjamin Britten, Ian Bostridge, Antonio Pappano | 1:33 | |
| Gypsy Songs, Op. 55: No. 4, Když Mne Stará Matka Zpívat | Charlotte Hoather | 2:09 | |
| Deux hommages: Hommage á Sherlock Holmes | Leo Smit, Frans Van Ruth | 3:47 | |
Több megtekintése Songs Like X Pro-val |
| 5 Lieder: No. 3. Laue Sommernacht | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | 1:53 | |
| Lake: IV. To reed you as my inside | Leah Blankendaal, Claire Nashar, Luminescence Chamber Singers, Roland Peelman | 2:40 | |
| My Aunt Gives Me a Clarinet Lesson | Elizabeth Alexander, Neva Pilgrim, Selma Moore, David Abrams, Cristina Buciu, Greg Wood, Kevin Moore, Jennifer Vacanti, Mark Davis Scatterday | 10:58 | |
| Sept mélodies, Op. 2: II. Le charme | Ernest Chausson, Véronique Gens, Susan Manoff | 1:26 | |
| Sunset | Nicola Ferro, Joseph Alessi, Warren Jones | 4:37 | |
| Debussy: Beau soir, CD 84, L. 6 | Claude Debussy, Véronique Gens, Roger Vignoles | 2:17 | |
| Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | 1:35 | |
| Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | 2:24 | |
| The Dream of Gerontius, Op. 38, Pt. 1: Rouse thee, my fainting soul | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | 3:57 | |
| La mi sola, Laureola… | Maria Bayo, J.A. Alvarez-Parejo | 2:48 | |
| Mujer Con Espejo | Jorge Torres Saenz, Lourdes Ambriz, Luis Antonio Rojas | 8:26 | |
| 4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | 3:15 | |
| Act I: Was meint ihr, lieber Freund | Albert Lortzing, Edith Mathis, Georgine Resick, Hans Sotin, Gertrud von Ottenthal, Staatskapelle Dresden, Bernhard Klee | 5:47 | |
| Sunday Afternoon Music (1936) | Aaron Copland, Leo Smit | 1:59 | |
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