| Die Dreigroschenoper (The Threepenny Opera) (arr. M. Blitzstein): Act II: The World Is Mean (Polly, Peachum, Mrs. Peachum) | Kurt Weill, Marc Blitzstein, Jo Sullivan Loesser, Martin Wolfson, Charlotte Rae, Artist Unknown, Samuel Matlowsky | 2:45 | |
| Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | 5:18 | |
| Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | 3:15 | |
| Summer Music | Arnold Bax, Bryden Thomson, Ulster Orchestra | 9:52 | |
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | 6:37 | |
| Darling, je vous aime beaucoup / September Song | Anna Sosenko, Kurt Weill, Carl Doy | 3:37 | |
| Jazz Suite: II. Lyrical Waltz | Alexander Tsfasman, Zlata Chochieva, BBC Scottish Symphony Orchestra, Karl-Heinz Steffens | 4:53 | |
| Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | 5:03 | |
| Little Threepenny Music: VII. Cannon Song | Kurt Weill, Sir Simon Rattle, London Symphony Orchestra | 2:24 | |
| Mahler - Urlicht | Gustav Mahler, Christianne Stotijn, Julius Drake | 5:13 | |
| Bellini: Norma, Act 1: "Casta diva" (Norma, Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | 5:40 | |
| Trysting Fields | Michael Nyman, Gidon Kremer | 5:47 | |
| Straussiana | Erich Wolfgang Korngold, John Wilson, Sinfonia Of London | 6:37 | |
| Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | 1:34 | |
| Cold Song | Henry Purcell, Mathieu Salama | 3:09 | |
| Je ne t'aime pas | Kurt Weill, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | 3:19 | |
| After Lassus: IV. Justus cor suum | Tom Coult, Anna Dennis, Andrew Gourlay, BBC Philharmonic | 1:45 | |
| Die Dreigroschenoper: Akt I, Liebeslied ("Siehst du den Mond über Soho?") | Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | 1:54 | |
| Ritirata notturna di Madrid (arr. L. Berio for orchestra) | Luciano Berio, Luigi Boccherini, Radion sinfoniaorkesteri, Hannu Lintu | 6:32 | |
| Petite messe solennelle: I. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | 2:32 | |
| Kyrie | MartÍn Palmeri | 7:11 | |
| Több megtekintése Songs Like X Pro-val |
| Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | 2:17 | |
| Ravel : Kaddish | Maurice Ravel, Jean-Marc Philips-Varjabédian | 5:23 | |
| Myrthen, Op. 25: No. 7. Die Lotosblume | Robert Schumann, Margaret Price, James Lockhart | 1:47 | |
| Youkali | Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera | 9:52 | |
| Barber: String Quartet in B Major, Op. 11: II. Adagio | Samuel Barber, Endellion String Quartet | 7:00 | |
| Flor da Noite | Gnattali, Léo Peracchi, Oscar Borgerth | 4:29 | |
| I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | 5:03 | |
| Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | 8:27 | |
| Ombra mai fu (from Xerxes) | Kathleen Ferrier, London Symphony Orchestra, Sir Malcolm Sargent | 4:38 | |
| Ketèlbey: In a Persian Market | Albert Ketèlbey, John Lanchbery, Ambrosian Singers, Philharmonia Orchestra | 5:51 | |
| Kleine Dreigroschenmusik: III. Anstatt-dass Song | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | 2:02 | |
| The Salley Gardens | Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey | 2:46 | |
| Je ne t'aime pas | Kurt Weill, Ute Lemper, RIAS Berlin Kammerensemble | 3:41 | |
| Serse, HWV 40, Act I: Ombra mai fu | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | 3:04 | |
| Kanonensong (1.Akt) (In der Erinnerung an ihre gem | Bertolt Brecht, Kurt Weill | 2:20 | |
| Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | 4:35 | |
| Die sieben Todsünden: V. Unzucht | Kurt Weill, Katharine Mehrling, Michael Porter, Simon Bode, Michael Nagl, Oliver Zwarg, Konzerthausorchester Berlin, Joana Mallwitz | 4:54 | |
| Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | 3:18 | |
| Humoresque (Arr. Koncz) | Philharmonix | 2:39 | |
| Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | 1:35 | |
| Finlandia, Op. 26 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | 9:25 | |
| 4 Lieder, Op. 27, TrV 170: No. 4, Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | 4:34 | |
| Sadko: Song Of India | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | 3:19 | |
| Die sieben Todsünden: Prolog | Kurt Weill, Katharine Mehrling, Konzerthausorchester Berlin, Joana Mallwitz | 3:25 | |
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | 2:26 | |
| Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | 3:59 | |
| Adoration (Arr. Gray for Violin and Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | 3:41 | |
| Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | 3:42 | |
