| Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | 1:24 | |
| Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | 2:16 | |
| Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Overture, Op. 21, MWV P3 | Felix Mendelssohn, Nikolaus Harnoncourt, Chamber Orchestra of Europe | 11:50 | |
| Messiah, HWV 56: Part 2: Their sound is gone out (Chorus) | Nikolaus Harnoncourt | 1:19 | |
| 7 Fantasies, Op. 116: No. 1, Capriccio in D Minor | Johannes Brahms, Emanuel Ax | 2:08 | |
| Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | 1:59 | |
| Vivaldi: Bajazet, RV 703, Act 2 Scene 8: No. 16, Aria, "Dov'è la figlia?" (Bajazet) | Antonio Vivaldi, Ildebrando D'Arcangelo, Fabio Biondi, Europa Galante | 2:10 | |
| Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 18, Rezitativ. "Da kam Jesus mit ihnen zu einem Hofe" | Johann Sebastian Bach, Nikolaus Harnoncourt, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien | 1:47 | |
| Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Harry Peeters, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | 4:19 | |
| Messiah, HWV 56: Part 3: Worthy is the Lamb (Chorus) | Nikolaus Harnoncourt | 6:40 | |
| Schumann: Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | 10:23 | |
| String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | 7:42 | |
| Missa Solemnis in D Major, Op. 123: III. Credo: Credo | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | 4:13 | |
| Requiem in D Minor, K. 626: III. Sequentia: Tuba mirum | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien | 3:52 | |
| Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | 2:23 | |
| Monteverdi: Ottavo libro di madrigali "Guerrieri et amorosi": No. 18, Lamento della ninfa, SV 163 | Claudio Monteverdi, Nikolaus Harnoncourt, Ann Murray, Kurt Equiluz, Philip Langridge, Rudolf A Hartmann, Concentus Musicus Wien | 5:31 | |
| Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | 2:00 | |
| Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Nikolaus Harnoncourt, Vienna State Opera Chorus | 3:01 | |
| Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | 3:28 | |
| Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 12, Rezitativ. "Wiewohl mein Herz in Tränen schwimmt" | Johann Sebastian Bach, Nikolaus Harnoncourt, Christine Schäfer, Concentus Musicus Wien | 1:16 | |
| Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": III. Menuetto - Trio | Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | 5:28 | |
Több megtekintése Songs Like X Pro-val |
| Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | 5:57 | |
| Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | 2:47 | |
| Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | 3:31 | |
| Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | 1:04 | |
| Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": II. Presto: Fantasmi – Presto – Adagio | Antonio Vivaldi, Peter Whelan, La Serenissima | 1:54 | |
| Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | 7:05 | |
| Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 5, Rezitativ. "Du lieber Heiland du" | Johann Sebastian Bach, Nikolaus Harnoncourt, Bernarda Fink, Concentus Musicus Wien | 0:59 | |
| Im Fruhling, D. 882 | Franz Schubert, Hanno Müller-Brachmann, Ulrich Eisenlohr | 4:37 | |
| Sonata for Viola and Piano No. 1 in F minor, Op. 120: Andante un poco adagio | Johannes Brahms, Kim Kashkashian, Robert Levin | 5:05 | |
| Humoresque No. 1 in D Minor, Op. 87 | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | 3:33 | |
| Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | 5:51 | |
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | 3:04 | |
| Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | 5:26 | |