| Massenet: Manon, Act 3: "Je marche sur tous les chemins" - "Obéissons, quand leur voix appelle" (Manon) | Jules Massenet, Kiri Te Kanawa, Orchestra of the Royal Opera House, Covent Garden, Jeffrey Tate | 5:06 | |
| Pergolesi: Salve Regina in F Minor: IV. Eia ergo | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | 1:24 | |
| Wagner: Tristan und Isolde, Act III: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | 8:43 | |
| Gershwin: Porgy and Bess: "Summertime" | George Gershwin, Ira Gershwin, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | 2:54 | |
| Hébée Op. 2 N°6 | Ernest Chausson, Susan Manoff, Sandrine Piau | 2:53 | |
| Als die alte Mutter | Victoria de los Ángeles | 2:36 | |
| Ach so fromm | Fritz Wunderlich | 2:52 | |
| Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | 2:52 | |
| Wagner: Tristan und Isolde, Act 3: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Antonio Pappano, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden | 6:41 | |
| Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | 3:26 | |
| Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | 4:26 | |
| In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | 2:42 | |
| Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | 6:13 | |
| Die Fledermaus: Act II: Finale: Bruderlein und Schwesterlein (Falke) | Johann Strauss II, Miljenko Turk, Cologne West German Radio Orchestra, Friedrich Haider | 4:03 | |
| Le colibri Op.2 N°7 | Ernest Chausson, Susan Manoff, Sandrine Piau | 3:15 | |
| Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | 1:43 | |
| Martha: M´apparì, tutt´amor | Carlo Bergonzi, Orchestra Sinfonica e Coro di Torino della RAI, Massimo Pradella | 3:39 | |
| Boito: Mefistofele, Prologue: "Ave, Signor degli angeli e dei santi" (Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, London Symphony Orchestra | 3:34 | |
| E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | 8:53 | |
| Nina | Giovanni Battista Pergolesi, Visti Hald, Ulrich Staerk | 3:29 | |
| Bella porta di rubini | Andrea Falconieri, Elisabetta Pallucchi, Filippo Farinelli | 2:03 | |
Több megtekintése Songs Like X Pro-val |
| Si mes vers avaient des ailes | Reynaldo Hahn, Susan Graham | 2:19 | |
| Alleluia (Mozart W.A.) | Orchestre Symphonique De Québec | 2:34 | |
| Pergolesi: Salve Regina in F Minor: V. Et Jesum | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | 1:59 | |
| Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker | 2:20 | |
| Rossini: La Cenerentola, Act 2: "Nacqui all'affanno, al pianto" - "Non più mesta" (Cenerentola) | Gioacchino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | 6:22 | |
| Eugene Onegin, Op. 24, TH 5, Eugene Onegin, Op. 24, Act II: Uzhel ya zasluzhil ot vas nasmyeshku etu? | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | 2:19 | |
| Stabat mater dolorosa (a due) | Giovanni Battista Pergolesi, Julia Faulkner, Anna Gonda, Camerata De Budapest, Michael Halasz | 3:28 | |
| Roméo et Juliette, CG 9 / Act 2: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | 1:00 | |
| Quella fiamma che m'accende | Benedetto Marcello, Cecilia Bartoli, György Fischer | 3:56 | |
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