| Minuet in G Minor, HWV 434 No. 4 (Arr. Kempff) | George Frideric Handel, Anne Queffélec | 4:35 | |
| Piano Concerto No. 24 in C Minor, K. 491: II. Largo | Wolfgang Amadeus Mozart, Ivan Moravec, Academy of St. Martin in the Fields, Sir Neville Marriner | 8:13 | |
| Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | 11:02 | |
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | 2:48 | |
| Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | 5:35 | |
| Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | 6:25 | |
| 3 Spirituals for Orchestra: No. 2. Kum Bab Yah | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | 2:50 | |
| Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | 6:23 | |
| Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | 3:58 | |
| Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | 3:52 | |
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | 1:40 | |
| Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | 3:04 | |
| Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | 3:28 | |
| Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Müller-Brühl | 1:59 | |
| Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | 4:39 | |
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Joseph Haydn, Alban Berg Quartett | 1:11 | |
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | 2:02 | |
| Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | 2:09 | |
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | 3:14 | |
| Schluss | Fanny Mendelssohn, Heather Schmidt | 2:15 | |
| Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | 1:07 | |
| Több megtekintése Songs Like X Pro-val |
| Concerto pour Violoncelle et Orchestre en Ut Majeur, Hob. VIIb:1: II. Adagio | Joseph Haydn, Jean-Guihen Queyras, Freiburger Barockorchester, Petra Mullejans | 8:12 | |
| Menuet in E-Flat Major | Nora Mercz, Georges Bizet, Janos Balint | 4:26 | |
| Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | 3:05 | |
| Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | 1:33 | |
| Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | 9:30 | |
| Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | 6:07 | |
| 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | 1:06 | |
| Cavatina (The Dear Hunter) | Lars Hannibal | 3:24 | |
| Debussy: Piano Trio in G Major, CD 5, L. 5: III. Andante espressivo | Claude Debussy, Renaud Capuçon, Edgar Moreau, Bertrand Chamayou | 3:47 | |
| String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | 6:35 | |
| Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | 7:05 | |
| 3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | 2:13 | |
| Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | 5:50 | |
| Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | 6:12 | |
| 15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | 2:23 | |
| Etude in F Minor | Felix Mendelssohn, Benjamin Frith | 1:55 | |
| Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | 4:26 | |
| Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | 4:34 | |
| Jazz Suite No. 2: IV. Waltz I | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | 3:18 | |
| Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | 2:35 | |
| Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | 3:01 | |
| Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | 1:50 | |
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | 3:48 | |
| Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | 3:41 | |
| Two Serenades, Op. 69: I. Andante assai, Op. 69 No. 1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | 6:36 | |
| Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | 5:26 | |
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | 3:12 | |
| Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | 10:49 | |
