| Ballad Du Paris | Francois Parisi | 3:14 | |
| Le piano d'Isabelle | Philippe Rombi | 1:12 | |
| Schubert: Ave Maria, Op. 52 No. 6, D. 839 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | 6:19 | |
| ララのテーマ / Lara's Theme (映画「ドクトル・ジバゴ」より) | Orlando Pops Orchestra | 1:46 | |
| Sally and Jack from Blowout | Pino Donaggio, Andrea Jayne Ridilla, Sofia Philharmonic Orchestra, Ricardo Averbach | 3:37 | |
| Blue Danube (Reprise) | New York Theater Symphony Orchestra | 1:26 | |
| Tico Tico | Zequinha De Abreu, Ludmila Peterková, Irina Kondratenko | 1:43 | |
| Rodrigo: Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | 10:40 | |
| Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous, Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | 1:45 | |
| Silvano: Barcarola | Pietro Mascagni, Teatro Lirico Orchestra, Tiziano Severini | 6:26 | |
| Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | 5:53 | |
| Modigliani | Guy Farley | 3:28 | |
| Adieu Mario | Alain Romans, Franck Barcellini | 2:49 | |
| ONCE UPON A TIME IN AMERICA - Dal Film 'C'era Una Volta In America' - Main Theme | Symphonic Orchestra | 2:08 | |
| Thème de Molière | Frederic Talgorn | 1:06 | |
| Texas Memories | Moscow Symphony Orchestra, Dino Soldo, Moscow Symphony Chorus, William T. Stromberg, Max Steiner, John Morgan | 1:05 | |
| Dîner de cons - Version orchestrale | Vladimir Cosma, Philip Catherine, LAM Philharmonic Orchestra | 2:44 | |
| Duo des fleurs | Léo Delibes | 2:18 | |
| Mini Andante | Dick Walter, David Walter | 1:02 | |
| Ripley - Instrumental | Gabriel Yared | 3:26 | |
| Aston Montenegro | David Arnold | 1:03 | |
| Több megtekintése Songs Like X Pro-val |
| A Man And A Woman (Un Homme et une Femme) | Orchester Ambros Seelos | 3:11 | |
| Barcarolle From "The Tales of Hoffman" | Yrving & Lisa Yeras, Conal Fowkes | 2:21 | |
| Nocturne, B. 49: Lento con gran espressione in C-Sharp Minor | Frédéric Chopin, Janusz Olejniczak | 4:06 | |
| Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | 2:16 | |
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | 5:53 | |
| Gino et Lucy - From Deux hommes dans la ville | Philippe Sarde | 2:06 | |
| The Godfather | Audrey, the Hepburns | 3:08 | |
| Traffico | Carlo Rustichelli | 1:09 | |
| Taking Sides On The Issue | Randy Edelman | 1:15 | |
| The Long Walk Home | Francis Lai | 1:30 | |
| In The Piazza Signoria | Richard Robbins, Richard Robbins And Orchestra, Orchestra | 3:57 | |
| In Bicicletta | Luis Bacalov | 2:28 | |
| Main Title: De Guella / The Green Leaves of Summer | Dimitri Tiomkin | 2:11 | |
| Theme of Exodus (from "Exodus", 1960 Film Score) | Ernest Gold, Twentieth Century-Fox Studio Orchestra | 2:29 | |
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | 1:53 | |
| La dolce vita - Suite: 9. La dolce vita | Nino Rota, Filarmonica della Scala, Riccardo Chailly | 2:37 | |
| The Green Leaves of Summer - From "Inglourious Basterds" | Nick Perito | 2:26 | |
| The Pensione Bertollini | Richard Robbins, Richard Robbins And Orchestra, Orchestra | 1:22 | |
| Love Theme - From "The Godfather" | Carmine Coppola | 3:55 | |
| Exodus - Theme | Ernest Gold | 2:52 | |
| Blues / La Dolce Vita Dei Nobili | Nino Rota | 5:44 | |
| A Variation On Scotty Tails Madeline | Shigeru Umebayashi | 1:52 | |
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | 4:13 | |
| L'Amore Di Rocco | Nino Rota | 1:38 | |
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | 9:00 | |
| Otto e mezzo - Suite: 1. Titoli | Nino Rota, Filarmonica della Scala, Riccardo Chailly | 1:10 | |
| Il Postino Poeta | Luis Bacalov | 3:25 | |
| Flower duet from Lakme - Remasterisé en 1987 | Léo Delibes, Orchestre Du Théatre National De L'Opéra Comique - Alain Lombard - Mady Mesple - Danielle Millet, Alain Lombard | 4:19 | |
