| Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | 2:35 | |
| 4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem) | Richard Strauss, Raphaela Gromes, Julian Riem | 3:46 | |
| Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | 5:07 | |
| Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | 2:41 | |
| Kitsch-Musik: III. Allegretto | Valentin Silvestrov, Elisaveta Blumina | 3:02 | |
| 3 Compositions, Op. 40 (version for cello and piano): No. 3. Mazurka | Amy Beach, Françoise Groben, Rainer Gepp | 2:55 | |
| Air Piano Meditation (After Air from Orchestral Suite No. 3, BWV 1068) | Johann Sebastian Bach, Martin Stadtfeld | 1:53 | |
| Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | 1:52 | |
| Berceuse (Arr. For viola and piano) | Frank Bridge, Enikő Magyar, Tadashi Imai | 3:34 | |
| 6 Piano Pieces, Op. 118: No. 2: Intermezzo in A Major | Johannes Brahms, Igor Levit | 5:53 | |
| The Pier (from "Never Let Me Go", Arr. for Piano & Cello) | Rachel Portman, Raphaela Gromes | 2:18 | |
| Suite No. 2 in D Minor BWV 1008.: I. Prélude | Johann Sebastian Bach, Jean-Guihen Queyras | 3:36 | |
| I Capuleti e i Montecchi: Oh quante volte (Arr. for Cello & Orchestra) | Vincenzo Bellini, Ophélie Gaillard, Morphing Chamber Orchestra, Frédéric Chaslin | 4:24 | |
| Tre Momenti for Cello and String Orchestra: I. Speranze | Matilde Capuis, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | 5:25 | |
| Ravel: Sonatine, M. 40: II. Mouvement de menuet | Maurice Ravel, Bertrand Chamayou | 2:56 | |
| Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | 6:34 | |
| Nuit étoilée (Arr. for Cello & Piano by Julian Riem) | Cécile Chaminade, Raphaela Gromes, Julian Riem | 2:13 | |
| Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | 1:41 | |
| The Sleeping Beauty, Op. 66, Act 1, No. 6: Waltz (Arr. for Piano Trio by Julian Riem) | Pyotr Ilyich Tchaikovsky, Raphaela Gromes, Julian Riem, Daniel Dodds | 3:40 | |
| 6 Piano Pieces, Op. 26: No. 2, Pastoral Atmosphere | Toivo Kuula, Adam Johnson | 3:44 | |
| Schindler's List Theme | John Williams, Raphaela Gromes, Julian Riem | 3:51 | |
| Több megtekintése Songs Like X Pro-val |
| Nostalgie du pays, extrait des Miniatures polonaises | Milosz Magin, Lucas Debargue | 1:57 | |
| Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | 1:40 | |
| Lyric Pieces, Book I, Op. 12: No. 1, Arietta | Edvard Grieg, Javier Perianes | 1:26 | |
| Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | 6:29 | |
| Sicilienne | Maria Theresia von Paradis, Raphaela Gromes, Julian Riem | 2:33 | |
| Sonata for Violin and Piano in A Minor, Op. 34: I. Allegro moderato | Amy Beach, Trio Orelon | 9:54 | |
| 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | 2:32 | |
| Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | 4:47 | |
| Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) | Lili Boulanger, Raphaela Gromes, Julian Riem | 2:59 | |
| Prelude Piano Variation (After Prelude from Violin Sonata in F Major, Op. 5, No. 10) | Arcangelo Corelli, Martin Stadtfeld | 1:51 | |
| Cello Sonata in F Major, Op. 6, TrV 115, 2nd Version: II. Andante ma non troppo | Richard Strauss, Raphaela Gromes | 7:43 | |
| Talestri: Da me ti dividi (Arr. for Cello & Orchestra by Julian Riem) | Maria Antonia Walpurgis of Bavaria, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | 4:04 | |
| Hungarian Dances, WoO 1: V. Allegro in F-Sharp Minor (Arr. for Cello & Piano) | Johannes Brahms, Raphaela Gromes, Julian Riem | 2:49 | |
| 24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | 2:11 | |
| Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | 7:05 | |
| Variations on an Original Theme in A-Flat Major, D. 813: VI. Variation V | Franz Schubert, Andreas Staier, Alexander Melnikov | 2:03 | |
| Märchenstunde (Arr. for Cello & Piano by Julian Riem) | Margarete Schweikert, Raphaela Gromes, Julian Riem | 2:14 | |
| Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | 5:28 | |
| 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | 1:49 | |
| By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | 3:07 | |
| Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | 2:59 | |
| On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | 3:19 | |
| 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | 3:40 | |
| Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | 3:12 | |
| Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | 2:22 | |
| Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | 4:39 | |
| Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | 2:27 | |
| Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | 1:50 | |
