| Painting Flowers | Phoenix Glendinning | 4:37 | |
| Forest of Odes | NCSOUND | 2:53 | |
| The Pact Laid Waste | Maclaine Diemer | 2:49 | |
| Anequina Beckons | Brad Derrick | 6:09 | |
| The Nymph's Heart | Critical Role, Matthew Carl Earl | 3:18 | |
| First Steps Into Sunken Glades | Gareth Coker | 4:33 | |
| Beyond The Imperial Prison (Oblivion Medley) | Hyperduck Soundworks | 7:26 | |
| Standing Stones | Jeremy Soule | 6:36 | |
| Judgment | Halo, Gareth Coker | 4:24 | |
| The Vagabond | Marcin Przybyłowicz | 2:47 | |
| Auridon Sunrise | Brad Derrick | 5:54 | |
| Chasm Kata | Michael James Bahnmiller, The Black Piper, Abby Khalek, Aeralie Brighton, Rosalie Mcmillan | 2:27 | |
| Serene Blue | Tumult Kollektiv | 1:33 | |
| to Further Stillness | Josh Whelchel, Kristin Naigus | 2:08 | |
| Silent Woodlands | Gareth Coker | 3:40 | |
| Chiasm | Berlinist | 1:01 | |
| Spirit Guide | Theophany | 1:08 | |
| Temple of My Father | Damjan Mravunac | 2:48 | |
| Lady Steph and Henry | Jan Valta, Adam Sporka | 1:55 | |
| Welcome to Kostantiniyye | Jesper Kyd, Assassin's Creed | 3:31 | |
| Expedition March | Bill Brown | 2:04 | |
Több megtekintése Songs Like X Pro-val |
| Silent Auditorium | Halo, Gareth Coker | 4:44 | |
| Constellations | Max LL | 3:00 | |
| The Ancient Wellspring | Gareth Coker | 2:54 | |
| Mist in the Mire | Frida Johansson, Henrik Oja | 9:26 | |
| Nearing Town | Russell Shaw | 1:10 | |
| Caer Cyflen | Maxime Hervé | 2:16 | |
| Return to Arms | Glenn Stafford, Jason Hayes | 3:52 | |
| The Sharing (Wild Walkers Prologue) | Arnaud Roy | 1:45 | |
| The Crows | David Fenn | 1:30 | |
| The Darkest of Days | Piotr Musiał | 4:41 | |
| Miriam's Memory | chuck e. myers 'sea', Hogwarts Legacy | 3:41 | |
| Riding the Wind (feat. Rachel Mellis) | Gareth Coker, Rachel Mellis | 5:00 | |
| Power of Innocence 2017 - Orchestra Version | Borislav Slavov, Kirill Pokrovsky | 4:01 | |
| Entering Zephrah | Critical Role, Robert Wolf | 3:16 | |
| Our Story Begins | Russell Shaw | 2:02 | |
| Green Fields Of Antaloor | Two Worlds II | 4:38 | |
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