| Sextet No. 2 'Halle's Ravine': I | Tobias Picker | 3:14 | |
| A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | 8:35 | |
| Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | 2:33 | |
| One Sunday Afternoon | George Fenton | 5:12 | |
| Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | 2:42 | |
| Oboe Concerto in A Minor: I. Rondo Pastorale | Ralph Vaughan Williams, Nicholas Daniel, Britten Sinfonia, James MacMillan | 8:17 | |
| Symphony No. 2, Op. 30, "Romantic": II. Andante con tenerezza | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | 7:26 | |
| Awakenings, Act II, Scene 5: Morning December 1969. Dayroom | Tobias Picker, Aryeh Lev Stollman, Boston Modern Orchestra Project, Gil Rose | 5:44 | |
| Memory of Mountain (Version for Violin & Chinese Orchestra): I. The Sacred Tree in the Fog | Nai-Chung Kuan, Cho-Liang Lin, Taipei Chinese Orchestra, Li-Pin Cheng | 8:28 | |
| Penguin play | Nigel Westlake, Timothy Kain | 2:47 | |
| Lachrimae Coactae Pavan | John Dowland, Thurston Dart, London Philharmonic Orchestra | 3:36 | |
| La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | 2:07 | |
| Emmeline: Act One: "I've never seen my face before" | Tobias Picker, Santa Fe Opera, Georege Manahan | 3:37 | |
| You Are Beautiful (Flower Drum Song) | Mantovani Orchestra | 3:40 | |
| The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 13, I Went to Heaven | Leo Smit, Georgine Resick, Warren Jones | 1:33 | |
| Symphonic Dances, Op. 64: II. Allegretto grazioso (Arr. for Orchestra by John Rutter) | Edvard Grieg, John Rutter, Manchester Camerata | 3:48 | |
| Country Dances: II. Hunsdon House | Hubert Murrill, Peter Tranchell, Walter Collins, Lionel Sainsbury, Edward Elgar, Elis Pehkonen, John Ireland | 2:09 | |
| Candide: Overture | Leonard Bernstein, New York Philharmonic | 4:10 | |
| The Tempest: Suite No. 2, Op. 109: IV. Prospero | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | 1:41 | |
| Fairytale Suite: The Ice Palace: Finale | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | 4:29 | |
| Le Villi: Act I - L'Abbandono | Giacomo Puccini, Lorin Maazel, National Philharmonic Orchestra, Ambrosian Opera Chorus, Tito Gobbi, London National Philharmonic Orchestra | 5:23 | |
Több megtekintése Songs Like X Pro-val |
| The Firebird Suite *: Finale | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | 3:32 | |
| Lyra Angelica: I. Adagio | William Alwyn, Richard Hickox, City of London Sinfonia, Rachel Masters | 8:06 | |
| A Downland Suite (Arr. for String Orchestra): II. Elegy. Lento espressivo | John Ireland, Richard Hickox, City of London Sinfonia | 6:04 | |
| Thérèse Raquin, Act I Scene 2: Thank you, thank you, Suzanne (Madame, Suzanne) | Tobias Picker, Graeme Jenkins, Dallas Opera Orchestra, Diana Soviero, Sheryl Woods | 2:59 | |
| All Men Lie | Hollers Gang | 2:13 | |
| Carmina | True LUFS Project | 1:51 | |
| Chant du rossignol (Song of the Nightingale): Le Chant du rossignol | Igor Stravinsky, Seattle Symphony Orchestra, Gerard Schwarz | 3:23 | |
| The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | 2:17 | |
| The Mission Chorales: Chorale 5 | George Martin, Berlin Music Ensemble, Craig Leon | 1:05 | |
| Awakenings, Act I, Scene 2: Three years later, February 1969. Hospital meeting room | Tobias Picker, Aryeh Lev Stollman, Boston Modern Orchestra Project, Gil Rose | 4:54 | |
| Concerto per clarinetto e orchestra in B-Flat Major: No. 1, Andante sostenuto | Carlo Paessler, Collegium Musicum, Walter Themel, Nicola Bulfone | 4:41 | |
| Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | 6:25 | |
| Emmeline: Act Two: "Matthew! Everything I want is gone" | Tobias Picker, Santa Fe Opera, Georege Manahan | 6:44 | |
| Ellipse | John Van Geem, Western New York Chamber Orchestra | 3:55 | |
| Baby Mothers Unshamed Mothers | Danke Timi Briggs | 2:18 | |
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | 2:14 | |
| Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Allegro moderato - Nocturne | Jules Massenet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Patrick Gallois | 1:52 | |
| Symphony No. 1, "Afro-American": III. Humor (Animato) | William Grant Still, Fort Smith Symphony, John Jeter | 3:16 | |
| Symphony No. 13 “The Journey”: IV. America, the Promised Land | Barbara Harbach, London Philharmonic Orchestra, David Angus | 5:28 | |
| Shostakovich: Suite from The Gadfly, Op. 97a: VIII. Romance (Orch. Atovmyan) | Dmitri Shostakovich, Mariss Jansons, London Philharmonic Orchestra | 6:16 | |
| Cello Concerto No. 1, Op. 50, W095: I. Allegro con brio | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | 8:02 | |
| Second Movement Lento Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | 8:14 | |
| Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Leonard Slatkin, St. Louis Symphony | 5:01 | |
| Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | 2:47 | |
| Nocturnes, L.91: III. Sirènes | Claude Debussy, The Cleveland Orchestra, Pierre Boulez, Ladies of the Cleveland Orchestra Chorus | 9:40 | |
| 4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | 3:54 | |
| Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | 2:56 | |
| The Victorian Kitchen Garden - Suite: Summer | Paul Reade, Emma Johnson, Skaila Kanga | 1:57 | |