| Like We Used to Be | Dylan Gardner | 4:23 | ||
| So,So | Landon Conrath | 3:17 | ||
| Night Life | Honestly | 3:14 | ||
| Thank You | Phil Good | 2:18 | ||
| Back To You | Hardcastle | 3:56 | ||
| Ocean Blue | sunshine blvd. | 3:56 | ||
| Come Over Now | flor | 2:31 | ||
| A Spectrum | Honest Men | 3:51 | ||
| Lovestruck Energy | New Friends | 3:18 | ||
| Pretty Blue Jeans & Me | nodisco. | 2:51 | ||
| I Got 3 | Jack Gray | 3:14 | ||
| Running Wild | Starletta | 4:06 | ||
| Running for Cover | RYLY | 3:30 | ||
| Call for You | Y O U T H F O O L, Brandon Shoop | 3:31 | ||
| Sundress | Devin Kennedy | 2:43 | ||
| Morningside | Saint Blonde | 3:26 | ||
| Tryhard | Reed Gaines | 3:30 | ||
| I Want to Believe You | The True Blue | 3:38 | ||
| Someone To You | Great Good Fine Ok | 3:20 | ||
| Head vs Heart | Hotel Apache | 4:51 | ||
| body like gossip | dreamfone | 3:12 | ||
| Több megtekintése Songs Like X Pro-val | ||||
| someone to love | Chief | 3:17 | ||
| Pop Band | Capital Soiree | 3:31 | ||
| Hopeless Romantic - 80s Version | Luca Borsato, nodisco. | 3:01 | ||
| Stop and Stare | Cherry Pools | 3:30 | ||
| Hurt Now Help Later | Wayne Regretzky, Richard Orofino | 2:56 | ||
| Life | The Ivy | 2:47 | ||
| Skip To The Ending | RYLY | 2:31 | ||
| Start Over Again | Summerdrive | 3:32 | ||
| YOU | Hardcastle | 2:58 | ||
| Piety | Shoobies | 3:57 | ||
| Prom | courtship. | 4:09 | ||
| Dance On My Heart | Clubhouse | 3:17 | ||
| Till The Morning | RYLY | 3:35 | ||
| Five N' Dime | Mills | 2:53 | ||
| Enough | Nolie | 2:15 | ||
| Median | Yueku | 3:03 | ||
| PCH Rollercoaster | Love You Later | 3:35 | ||
| Between the Bad Days | Saint Blonde | 3:31 | ||
| It Was Always You | The Ivy | 3:49 | ||
| Gone! | Rightfield | 2:55 | ||
| Better By Now | Abby Holliday | 3:29 | ||
| Electric Rhythm | Township | 3:48 | ||
| Get Better | Laureline | 3:26 | ||
| Next to Me | Peter Fenn | 2:49 | ||
| Plans | LAVE | 3:07 | ||
| Blue Sky | Hardcastle | 2:39 | ||
| Product of the 90S | Phangs, Phoebe Ryan | 3:10 | ||
| Big City | VICTORS | 3:50 | ||
