| Pretty Boy | Lennon Stella | 3:08 | ||
| Devil On My Back | Chrissy | 3:13 | ||
| Landscapes | Lor | 2:58 | ||
| Vampire Weeknight | Jenny Owen Youngs | 3:24 | ||
| Over In No Time | Babygirl | 3:49 | ||
| First Thing | Roland Faunte | 5:59 | ||
| The Procession | PHILDEL | 3:57 | ||
| the same | mehro | 3:24 | ||
| He Could Never Love You | Henry Morris | 3:35 | ||
| Cinnamon | Tamino | 2:50 | ||
| happiness | Gracie Gray | 3:59 | ||
| A House In Nebraska | Ethel Cain | 7:46 | ||
| Tell It to My Heart | Paris Paloma | 2:53 | ||
| watch you sleep. | girl in red | 3:00 | ||
| Cordelia | Flower Face | 3:33 | ||
| Nymphs Finding the Head of Orpheus | Nicole Dollanganger | 4:07 | ||
| The Park | Dune Moss | 3:25 | ||
| Cruel World | Faye | 4:30 | ||
| Surround Me | Anna Sofia | 3:37 | ||
| till i go red - ep version | runo plum | 3:12 | ||
| Daniel | Aidoneus | 2:30 | ||
| Több megtekintése Songs Like X Pro-val | ||||
| Ugly | Nicole Dollanganger | 3:40 | ||
| Finish Line | Delaney Bailey | 2:38 | ||
| Eternal Sunshine | Flower Face | 4:02 | ||
| Just for Now | Michael Crean | 3:16 | ||
| In Your Room | Susannah Joffe | 3:26 | ||
| Blue & You | Mad Honey | 4:50 | ||
| Deep Green | Marika Hackman | 3:35 | ||
| The Giver | Sarah Kinsley | 3:47 | ||
| you. | Oscar Lang | 2:37 | ||
| Monolith | PHILDEL | 4:16 | ||
| Back to You | Flower Face | 3:22 | ||
| Sweet N Low | Henry Morris | 2:59 | ||
| HYACINTHUS | Aidoneus | 4:36 | ||
| I'd Have to Think About It | Leith Ross | 2:30 | ||
| Pistol | Cigarettes After Sex | 3:54 | ||
| Second Place | loyalties, Mikayla Geier | 2:08 | ||
| Lucky | Zeph | 3:12 | ||
| Golden Age | Ethel Cain | 6:04 | ||
| Take Me Home | Deadbeat Girl | 3:19 | ||
| Portland Nights | Genevieve Stokes | 1:41 | ||
| Levers | Roland Faunte | 6:39 | ||
| stuck on you | april june, Yot Club | 2:47 | ||
| Cinnamon | Jome | 3:24 | ||
| Raphael | Flower Face | 5:10 | ||
| Skin | Marika Hackman | 3:18 | ||
| Sad airplane | Tyler Burkhart | 2:22 | ||
| Thérèse | Maya Hawke | 3:27 | ||
| To Love | Suki Waterhouse | 3:56 | ||
