| Fantasie negre | Florence Beatrice Price, Lara Downes | 7:09 | |
| Piano Concerto No. 24 in C Minor, K. 491: II. Largo | Wolfgang Amadeus Mozart, Ivan Moravec, Academy of St. Martin in the Fields, Sir Neville Marriner | 8:13 | |
| Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | 2:41 | |
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | 7:11 | |
| String Quartet in G Major: I. Allegro | Florence Beatrice Price, Pacifica Quartet | 9:31 | |
| 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | 2:00 | |
| Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | 1:38 | |
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | 7:18 | |
| 3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | 3:43 | |
| Piano Quintet in A Minor: II. Andante con moto | Florence Beatrice Price, Catalyst Quartet, Michelle Cann | 6:16 | |
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | 3:14 | |
| Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | 2:20 | |
| Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | 3:05 | |
| Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | 3:47 | |
| Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | 1:27 | |
| Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | 1:58 | |
| 3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | 2:37 | |
| Violin Concerto in D Major: II. Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zefira Valova, Il Pomo D'oro | 4:28 | |
| 3 Roses: No. 2, To a White Rose | Florence Beatrice Price, Michael Clark | 2:50 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | 4:25 | |
| Piano Sonata No. 1 in F Minor, Op. 2, No. 1: II. Adagio | Ludwig van Beethoven, Igor Levit | 5:07 | |
| Több megtekintése Songs Like X Pro-val |
| Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | 8:01 | |
| Dances in the Canebrakes: II. Tropical noon | Florence Beatrice Price, Althea Waites | 3:41 | |
| Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | 2:28 | |
| Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | 6:08 | |
| Clarinet Quintet in A Major, K. 581: II. Larghetto | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | 6:07 | |
| Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | 2:08 | |
| Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | 1:32 | |
| Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | 4:19 | |
| 4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem) | Richard Strauss, Raphaela Gromes, Julian Riem | 3:46 | |
| Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | 3:19 | |
| String Quartet No. 2, JW 7/13 "Intimate Letters": II. Adagio | Leoš Janáček, Melos Quartet | 6:08 | |
| Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | 3:28 | |
| Little Suite: 3. Left Bank Waltz | Peter Sculthorpe, David Porcelijn, Tasmanian Symphony Orchestra | 2:47 | |
| Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | 8:00 | |
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | 8:09 | |
| Meditation | Florence Beatrice Price, Lara Downes | 2:17 | |
| Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | 5:27 | |
| Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | 3:56 | |
| The Moon on the Ruined Castle (Arr. Cello & Piano) | Rentaro Taki, Lynn Harrell, Bruno Canino | 1:13 | |
| Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | 7:32 | |
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | 3:10 | |
| 3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | 3:13 | |
| Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | 4:26 | |
| Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | 3:41 | |
| Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | 2:10 | |
| L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | 3:11 | |
| Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | 3:38 | |
| Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | 5:03 | |
