| Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | 3:09 | |
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | 3:18 | |
| Symphonie fantastique: V. Dream of a Witches' Sabbath, Larghetto - Allegro) | Hector Berlioz, Philadelphia Orchestra, Christoph Eschenbach | 10:14 | |
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | 3:37 | |
| Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | 4:24 | |
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | 6:14 | |
| 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | 1:34 | |
| Slavonic March, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | 9:15 | |
| Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | 1:38 | |
| 6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | 3:24 | |
| Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | 2:46 | |
| Chaconne in sol maggiore : Variazione 10 | Lazar Berman | 1:01 | |
| Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Antonio Vivaldi, Capella Istropolitana | 3:54 | |
| Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | 1:15 | |
| 24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Evgeny Kissin | 5:34 | |
| A:4 Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, C. P. E. Bach, Dinara Klinton | 1:16 | |
| Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | 10:31 | |
| Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | 1:55 | |
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | 4:40 | |
| 3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | 1:54 | |
| Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | 1:39 | |
Több megtekintése Songs Like X Pro-val |
| Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | 1:28 | |
| Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | 3:00 | |
| Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | 4:24 | |
| String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | 8:09 | |
| 16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor | Johannes Brahms, Idil Biret | 0:52 | |
| Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | 0:58 | |
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | 8:50 | |
| The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | 1:30 | |
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | 1:59 | |
| Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | 1:04 | |
| Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | 1:44 | |
| Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai | Felix Mendelssohn, Quatuor Ébène | 4:33 | |
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | 4:28 | |
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | 1:25 | |