| The Method | Hector Boys | 3:49 | ||
| Addicted To You | The Cats | 4:34 | ||
| Last in Line | LAZY GHOST | 2:11 | ||
| Fly My Days | Murphy Beach. | 3:08 | ||
| Lazy Daze | Ashridge | 3:49 | ||
| Suspicious Eyes | Yasawa Group | 3:08 | ||
| In isolation | Organicways | 4:43 | ||
| Fly Solo | Motel Radio | 4:03 | ||
| Bullshit | Court Sonnenburg | 2:52 | ||
| Show Her Love | Big Blue Eyes | 3:37 | ||
| Rat on a Thursday | 80% | 3:33 | ||
| Hard to Be | Moxie | 3:22 | ||
| Step Into | Beige Blokes | 3:19 | ||
| Call Me On The Phone | Vortxz | 2:37 | ||
| I Believe in You | Safari | 2:38 | ||
| Echo Chamber | Long Tonic | 3:10 | ||
| More than a Mood | Jacob Fortyhands | 3:42 | ||
| Punk Rock Princess | Dead Phones & Dogs | 3:52 | ||
| That's All | Joaquinn | 2:32 | ||
| Wonder | Slow Coast | 3:50 | ||
| Over & Over | Honeysucker | 4:29 | ||
| Több megtekintése Songs Like X Pro-val | ||||
| Homebody | RocketBoyy | 2:54 | ||
| fucked up! | JON! | 3:40 | ||
| Goin' Good! | Grade School | 2:10 | ||
| Feels Like Forever | Thekleaveher | 2:35 | ||
| Garlic And Oil | Bahsi | 4:08 | ||
| Red Rover | Sun Casino | 4:10 | ||
| San Diego | Loose Goose | 2:48 | ||
| Sweaters | The Happy Return | 2:57 | ||
| Hell or Highwater | Cherry White | 2:35 | ||
| someone new | Balter | 2:47 | ||
| Locked Up | Aquatic Ape Theory | 2:29 | ||
| Say | Bear Flowers, Travonce Flowers | 2:16 | ||
| Those Eyes of Yours | Blu Beach Band | 3:37 | ||
| last place | Zak P | 2:55 | ||
| Please Don't Try This at Home | Maruchi Slugger | 4:03 | ||
| Bumtowne USA | Deep Six | 4:16 | ||
| What Have You Done To Me? | Mandelbro | 3:01 | ||
| Around We Go Again | Slow Coast | 3:41 | ||
| Leola Street | Lounge Monkey | 3:32 | ||
| Coy | Long Legs | 3:18 | ||
| Narcissus | Ed Monk | 4:08 | ||
| Panic Room | mid | 4:11 | ||
| Take the Dive | The Hirst Brothers | 3:28 | ||
| Tied | goldthief | 3:48 | ||
| Dirty Blondes | Tonebound | 2:48 | ||
| Memoriam | Harold Herty | 3:36 | ||
| Something Sweet | Palo Sopraño | 3:23 | ||
| At Some Point It's Art | Prismala | 2:50 | ||
