| Akhnaten: Window of Appearances | Philip Glass, Paul Esswood, Dennis Russel Davies, Staatsorchester Stuttgart | 4:24 | |
| Hungry Piano | Nicola Piovani | 2:01 | |
| The Well-Tempered Clavier, Book I: Prelude No. 1 in C Major, BWV 846 | Johann Sebastian Bach, Martin Stadtfeld | 2:02 | |
| Arise | Isobel Waller-Bridge | 3:05 | |
| The Middle of the World | Nicholas Britell | 2:02 | |
| Me Voy a Morir de Tanto Amor | Alberto Iglesias | 2:39 | |
| Le Cou De La Girafe | Pascal Gaigne | 3:05 | |
| Often A Bird | Wim Mertens | 3:59 | |
| In the Upper Room: Dance VIII | Philip Glass, Philip Glass Ensemble, Michael Riesman | 5:01 | |
| The Revenant Main Theme | Ryuichi Sakamoto, alva noto | 2:41 | |
| Brideshead Revisited: No. 1, Sebastian | Adrian Johnston, Terry Davies, BBC Philharmonic | 2:11 | |
| Shadow Land, Pt. 1 | Federico Albanese | 3:54 | |
| Main Title | Rachel Portman | 3:07 | |
| Why Does Someone Have to Die? | Philip Glass | 3:56 | |
| Oceano | Roberto Cacciapaglia, Royal Philharmonic Orchestra, Michele Fedrigotti | 4:11 | |
| Enez Nein | Yann Tiersen | 5:05 | |
| Death Is the Road to Awe (feat. Kronos Quartet) | Clint Mansell, Kronos Quartet | 8:25 | |
| Suite from "The Hours" - Movement I | Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra | 10:30 | |
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