| My Own Story | Christopher Willis | 1:46 | |
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | 2:38 | |
| House on Sorority Row (Main Title) | Richard Band | 2:46 | |
| E' vero ogni mondo è felice | Piero Piccioni | 3:50 | |
| Lucy's Party | Wojciech Kilar | 2:56 | |
| The Comeback | Franz Waxman | 4:19 | |
| Spartacus - Love Theme | Alex North | 3:38 | |
| Suds on the Roof | Thomas Newman | 1:36 | |
| He Really Needs Me | Punch-Drunk Love | 3:08 | |
| Un monsieur distingué (From "Un flic") | Michel Colombier | 3:22 | |
| Going Mad | Umberto Smerilli | 2:04 | |
| Lisa Theme - From Rear Window (1954) | Franz Waxman, Victor Young and his orchestra | 2:49 | |
| Take Here Back Again | Patrick Doyle | 3:10 | |
| High and Low | Masaru Sato | 3:32 | |
| No Goodbye | Alfred Newman, MGM Studio Orchestra | 2:38 | |
| Love Is for the Very Young (Main Title Theme) (From "The Bad and the Beautiful") | David Raksin | 2:57 | |
| Escape from Atlanta | Max Steiner | 2:47 | |
| Rear Window Suite: I. Prelude | Franz Waxman, Danish National Symphony Orchestra, John Mauceri | 2:17 | |
| Perla w koronie (Pearl in the Crown): Cue numbers 26-27 | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | 1:43 | |
| The Others - Instrumental | Alejandro Amenábar | 2:24 | |
| Frank Churchill Arrives At Hartfield | Isobel Waller-Bridge, David Schweitzer | 1:42 | |
| Több megtekintése Songs Like X Pro-val |
| HW / Hope of New Fields | Jonny Greenwood | 2:29 | |
| Brideshead Revisited: No. 13, Carnival | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | 2:05 | |
| The Game's Afoot | Nathan Johnson | 3:59 | |
| Cleve And The Mule | Alfred Newman, MGM Studio Orchestra | 1:58 | |
| Le mensonge | Vladimir Cosma, Orchestre Philharmonique de Paris | 1:51 | |
| Phantom Thread I | Jonny Greenwood | 3:35 | |
| Seven Samurai | Fumio Hayasaka | 11:20 | |
| Proposal (from "An Affair To Remember") | Gary Grant, Deborah Kerr | 2:31 | |
| Harlan's Plan | Nathan Johnson | 3:15 | |
| Tarr and Irina | Alberto Iglesias | 5:11 | |
| The Cave Of Swimmers | Academy of St. Martin in the Fields, Gabriel Yared | 2:00 | |
| Love Returns | Alexandre Desplat | 1:43 | |
| Cee, You and Tea | Dario Marianelli, Jean-Yves Thibaudet, Benjamin Wallfisch, English Chamber Orchestra | 2:25 | |
| Scene D'Amour | Bernard Herrmann | 5:09 | |
| Celery Root | Rachel Portman | 2:55 | |
| A Very Long Engagement (Une Long Dimanche De Fiancailles): Suite From A Very Long Engagement - From "A Very Long Engagement" | Angelo Badalamenti | 4:31 | |
| Daybreak In Space | Bill Conti | 2:47 | |
| Guy | John Lunn, The Chamber Orchestra Of London | 1:47 | |
| Thème de Mathilde - Bande originale du film "L'armée des ombres" | Eric Demarsan | 1:40 | |
| A Summer Place | American West Orchestra | 3:40 | |
| Esterhase | Alberto Iglesias | 4:57 | |
| The Beach | Bernard Herrmann | 3:30 | |
| Lights Out | David Carbonara | 1:31 | |
| The Player - From "The Player" | Thomas Newman | 3:07 | |
| Pillar Of The Establishment - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | 1:48 | |
| Hana's Curse | Academy of St. Martin in the Fields, Gabriel Yared | 2:11 | |
| Postcards | Alexandre Desplat | 2:50 | |
| Scotty Tails Madeleine (Including Madeleine's First Appearance / Madeleine's Car / The Flower Shop / The Alleyway / The Mission / Mission Organ) | Bernard Herrmann | 6:19 | |
