| The Wrong Way | Ocean Grove | 3:44 | ||
| Inhumane | Polaris | 3:59 | ||
| Obsolete | Of Mice & Men | 4:25 | ||
| Modern Curse | Saviour | 4:02 | ||
| Silk In The Strings | Spiritbox | 2:57 | ||
| Paralyzed | Imminence | 4:12 | ||
| 4D | Northlane | 4:11 | ||
| Suffer In Rhythm | Dealer | 3:51 | ||
| Stratosphere Love | Ocean Grove | 4:13 | ||
| Lucid | Polaris | 3:59 | ||
| Throne to the Wolves | Our Hollow, Our Home | 4:15 | ||
| Wants I Need | 156/Silence, Craig Owens | 4:19 | ||
| Sink Into The Soil | Bloom | 3:16 | ||
| Crumble | Breakdown of Sanity | 3:20 | ||
| The Crossfire | Polaris | 4:06 | ||
| Bring Back The Noise | Alpha Wolf | 2:10 | ||
| Half-Life | Elwood Stray | 3:41 | ||
| Monument | Counterparts | 1:50 | ||
| Warfare | Fit For An Autopsy | 3:20 | ||
| Shitspitter | ten56. | 2:36 | ||
| Crimson | ERRA | 4:31 | ||
| Több megtekintése Songs Like X Pro-val | ||||
| Lost in the Grey | Miss May I | 3:30 | ||
| Revolt | While She Sleeps | 3:57 | ||
| Voiceless | Polaris | 3:54 | ||
| Hereditary | Mirrors | 4:09 | ||
| The Hands That Used to Hold Me | Counterparts | 2:55 | ||
| Parasites | Polaris | 3:16 | ||
| Crooked | Dealer | 2:18 | ||
| Pale Iris | ERRA | 4:23 | ||
| Shadows Inside | Miss May I | 3:56 | ||
| ANTI-SOCIAL | While She Sleeps | 4:14 | ||
| Step One | Make Them Suffer | 1:57 | ||
| Don't Fall Asleep | Hollow Front | 4:47 | ||
| Circus | Mirrors | 3:44 | ||
| Grotesque | Dealer | 2:37 | ||
| Dissipate | Polaris | 4:23 | ||
| Product Placement | 156/Silence | 3:23 | ||
| Agony | Crystal Lake | 5:07 | ||
| Ether | Make Them Suffer | 4:38 | ||
| Sacrifice | The Devil Wears Prada | 4:07 | ||
| Extraction | Buried In Verona | 4:45 | ||
| Cerulean | The Afterimage | 3:20 | ||
| ALIVE | AVRALIZE | 4:36 | ||
| Can't Reach The Sun | The Gloom In The Corner | 3:44 | ||
| Under Fire | Miss May I | 3:17 | ||
| The Descent | Polaris | 5:17 | ||
| Warpath | Fit For A King | 3:15 | ||
| Back to Zero (feat. Ryo Kinoshita) | Breakdown of Sanity, Ryo Kinoshita | 3:47 | ||
| Metamorph | Oceans Ate Alaska | 2:43 | ||
