| Prayer of the Comfort Counselor | 25th Annual Putnam County Spelling Bee Original Cast | 2:20 | |
| Class | Marcia Lewis, Bebe Neuwirth | 3:08 | |
| Good Morning, Good Day | Zachary Levi, Nicholas Barasch, Michael McGrath, Jane Krakowski, Gavin Creel | 3:07 | |
| Do Me a Favor | Christy Altomare, Jeanna de Waal, Ben Thompson, Derek Klena, Carrie: The Musical Ensemble | 3:18 | |
| Teach Him a Lesson | Aidan Cutler, Will Haswell, Shane O'Riordan | 1:42 | |
| Why Did I Listen to That Man? | Nancy Opel, John Deyle, Hunter Foster, Jeff McCarthy, Daniel Marcus, Lawrence Street, Victor W. Hawks, Jennifer Laura Thompson | 3:08 | |
| Jade Gleaming | 'The Drowsy Chaperone' Original Broadway Cast | 1:20 | |
| Why We Like Spelling | 25th Annual Putnam County Spelling Bee Original Cast | 2:51 | |
| Glory | Patina Miller, The Players | 5:54 | |
| Nothing Short of Wonderful | Lindsay Mendez | 2:40 | |
| Always A Woman | Marc Kudisch and Men's Ensemble | 2:56 | |
| Days Gone By | Byron Jennings | 2:03 | |
| Give up Your Dreams | The Original Broadway Cast Of School Of Rock | 3:20 | |
| Funny Honey | Gwen Verdon | 3:26 | |
| Somewhere Love Is Waiting for You | Alan Cumming | 1:53 | |
| Bows | You're a Good Man, Charlie Brown Ensemble (1999) | 1:13 | |
| Run and Tell That! | Corey Reynolds, Danelle Eugenia Wilson, Hairspray Ensemble, Original Broadway Cast of Hairspray | 3:49 | |
| Sounds While Selling | Michael McGrath, Gavin Creel, Zachary Levi, 'She Loves Me' 2016 Broadway Ensemble | 2:02 | |
| God, I Hate Shakespeare - Reprise | Brian D'Arcy James, Wayne Kirkpatrick, Karey Kirkpatrick | 1:30 | |
| Legally Blonde - Remix | Kate Shindle, Laura Bell Bundy, 'Legally Blonde' Ensemble, Natalie Joy Johnson | 4:59 | |
| The Kite | Anthony Rapp | 2:07 | |
Több megtekintése Songs Like X Pro-val |
| Elegance | Kate Baldwin, Taylor Trensch, Beanie Feldstein, Gavin Creel | 2:30 | |
| Twinkle Tones | 'The Drowsy Chaperone' Original Broadway Cast | 1:47 | |
| I Can Make You a Man | Richard O'Brien, Tom Hewitt, The Rocky Horror Show Ensemble (2000), Henry Aronson | 1:53 | |