| Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | 3:32 | |
| Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | 4:34 | |
| Madrigal, Op. 35 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | 3:23 | |
| Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | 9:28 | |
| Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | 6:20 | |
| In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | 7:44 | |
| Beethoven: An die ferne Geliebte, Op. 98: No. 3, Leichte Segler in den Höhen | Ludwig van Beethoven, Ian Bostridge, Antonio Pappano | 1:38 | |
| Schubert: Fischerweise, Op. 96 No. 4, D. 881 | Franz Schubert, Ian Bostridge, Julius Drake | 3:12 | |
| Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Otto Klemperer, Elisabeth Schwarzkopf, Philharmonia Orchestra | 6:54 | |
| Schumann: Liederkreis, Op. 24: No. 3, Ich wandelte unter den Bäumen | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | 3:31 | |
| Now, Oh Now I Needs Must Part | John Dowland, Grace Davidson, David Miller | 3:57 | |
| Wolf: Eichendorff-Lieder: No. 2, Der Musikant | Hugo Wolf, Ian Bostridge, Antonio Pappano | 1:38 | |
| Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | 1:55 | |
| Britten: Fancie - "Tell Me Where is Fancy Bred" | Benjamin Britten, Ian Bostridge | 0:58 | |
| 7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | 2:32 | |
| Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker, Dorothea Röschmann, Rundfunkchor Berlin | 7:34 | |
| The House of Life: Silent Noon | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | 4:09 | |
| Vivaldi: Gloria in D Major, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | 4:38 | |
| The Cloths of Heaven | Thomas Dunhill, Ian Bostridge, Julius Drake | 2:22 | |
| Schumann: Belsatzar, Op. 57 | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | 4:40 | |
| Schubert: Schwanengesang, D. 957: No. 1, Liebesbotschaft | Franz Schubert, Ian Bostridge, Antonio Pappano | 2:46 | |
| Több megtekintése Songs Like X Pro-val |
| Britten: Serenade, Op. 31: No. 7, Sonnet | Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker | 3:57 | |
| Handel: Ariodante, HWV 33, Act 3: Aria. "Dopo notte, atra e funesta" (Ariodante) | George Frideric Handel, Ian Bostridge, Orchestra of the Age of Enlightenment, Harry Bicket | 6:32 | |
| Mahler: Kindertotenlieder: No. 3, Wenn dein Mütterlein tritt zur Tür herein | Gustav Mahler, Janet Baker, Hallé, Sir John Barbirolli | 5:20 | |
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | 9:24 | |
| Britten: The Turn of the Screw, Op. 54, Act 1: Prologue. "It Is a Curious Story" (The Prologue) | Benjamin Britten, Daniel Harding, Ian Bostridge, Mahler Chamber Orchestra | 3:27 | |
| To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | 3:17 | |
| À Chloris | Reynaldo Hahn, Susan Graham | 3:02 | |
| The Dream of Gerontius, Op. 38, Pt.2: Softly and gently | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | 6:50 | |
| Mahler: Kindertotenlieder: No. 1, Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Janet Baker, Hallé, Sir John Barbirolli | 6:00 | |
| Tippet: Songs for Ariel: No. 1, Come Unto These Yellow Sands | Michael Tippett, Ian Bostridge, Antonio Pappano | 1:53 | |
| Wolf: Mörike-Lieder: No. 12, Verborgenheit | Hugo Wolf, Ian Bostridge, Antonio Pappano | 2:57 | |
| Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin | 4:46 | |
| I said to Love, Op. 19b: Two Lips | Gerald Finzi, Roderick Williams, Iain Burnside | 0:56 | |
| Britten: Winter Words, Op. 52: No. 2, Midnight on the Great Western "The Journeying Boy" | Benjamin Britten, Ian Bostridge, Antonio Pappano | 4:35 | |
| Schubert: 4 Lieder, Op. 88: No. 4, An die Musik, D. 547 | Franz Schubert, Ian Bostridge, Julius Drake | 2:42 | |
| Handel: Jephtha, HWV 70, Act 3: Air. "Waft her, angels" (Jephtha) | George Frideric Handel, Ian Bostridge, Orchestra of the Age of Enlightenment, Harry Bicket | 4:39 | |
| Let us garlands bring, Op. 18: O Mistress Mine | Gerald Finzi, Roderick Williams, Iain Burnside | 1:41 | |
| Alexander Nevsky, Op. 78: VI. Field of the Dead | Sergei Prokofiev, Elena Obraztsova, London Symphony Orchestra, Claudio Abbado | 6:01 | |
| Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 4:01 | |
| Zaide, K.344 / Act 1: "Ruhe sanft, mein holdes Leben" | Wolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | 5:29 | |
| Requiem, Op. 48: 5. Agnus Dei (I) | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 5:43 | |
| 4 Lieder, Op. 27: 1. Ruhe, meine Seele! | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | 4:24 | |
| Semele / Act 2: Oh sleep, why dost thou leave me? | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | 3:15 | |
| Gloria, FP 144: V. Domine Deus, Agnus Dei | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | 5:55 | |
| The Rake's Progress / Act I / Scene II: "Love, Too Frequently Betrayed" | Igor Stravinsky, Ian Bostridge, London Symphony Orchestra, John Eliot Gardiner | 2:44 | |
| 4 Lieder, Op. 27, TrV 170: 4. Morgen! | Richard Strauss, Kiri Te Kanawa, Sir Georg Solti | 3:06 | |
| Jephte: Plorate filii Israel plorate (Chorus) | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | 4:49 | |
| Gloria: Gratias agimus tibi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | 1:15 | |
