| Overture: Tannhauser | The Philharmonia, London | 3:17 | |
| Sylvan Soliloquy | Iron Strings Syndicate | 3:00 | |
| 3 Romanzen, Op. 94: No. 1, Nicht schnell | Robert Schumann, Nicholas Daniel, Julius Drake | 3:59 | |
| Morning and Choices | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | 2:34 | |
| The Mill on the Brook, Kinderleben Op.62 No.10 (Theodor Kullak) | The Gerst Ensemble | 1:23 | |
| The Red Detachment of Women, Act III: (a) Dance of the Slave Girls [b] Dance of the Li Tribe [c] the Civil Corps' Broadsword Dance | Wangchun Shi, Yanqiao Wang, Mingxin Du, Zuqiang Wu, Hongwei Dai, Shanghai Ballet Orchestra, You-sheng Lin | 8:20 | |
| Symphony in E Minor: III. Intermezzo e trio | Alberto Franchetti, Orchestra Sinfonica di Roma, Francesco La Vecchia | 4:30 | |
| Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | 1:20 | |
| Afection | Juan Pablo Fernández Ramos | 2:19 | |
| Glagolitic Mass: I. Introduction | Leoš Janáček, Czech Philharmonic, Sir Charles Mackerras | 2:58 | |
| Symphony No. 100 in G Major, Hob. I:100 "Military": II. Allegretto | Joseph Haydn, Danish Chamber Orchestra, Ádám Fischer | 5:19 | |
| BACKFIELD TO ATTACK | STELLERO | 1:10 | |
| Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | 1:17 | |
| Shostakovich: Suite from The Gadfly, Op. 97a: VIII. Romance (Orch. Atovmyan) | Dmitri Shostakovich, Mariss Jansons, London Philharmonic Orchestra | 6:16 | |
|