| I Am Loved | Aaron Lazar, Rebecca Luker | 3:19 | |
| Chants d'Auvergne, Vol. 1: No. 1. La Pastoura Als Camps (The Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | 2:48 | |
| O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | 3:58 | |
| Afternoon on a Hill | Ricky Ian Gordon | 2:02 | |
| Prelude: The Legend / Hide and Seek | Wendy Kesselman, Austin Pendleton | 3:05 | |
| HMS Pinafore: Carefully On Tiptoe Stealing / Hold, Pretty Daughter of Mine / He Is an Englishman / Uttering a Reprobation / My Pain and My Distress | Christopher Gillett, Elizabeth Ritchie, Gordon Sandison, Nickolas Grace | 7:54 | |
| Tan Lluny de Mi (Cantinela) | Jordi Sabatés, Josep Sebastià Pons, Carmen Bustamante | 2:43 | |
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | 3:06 | |
| Dearest Enemy: Finale Act One | James Cleverton, Annalene Beechey, Kim Criswell, John Molloy, Philip O'Reilly | 5:10 | |
| Tania, Scene 5: "And the Funk goes this way" (Cinque, Teko, Patty, Mom, Dad) | Antony Davis, Episteme, Rand Steiger, Jason Robinson, J. D. Parron, Michael Dessen, Teko, Avery Brooks, Patty, Thomas Young, Julie Randall-Osborn | 1:57 | |
| Indianas: V. Al Tribunal de tu Pecho | Carlos Guastavino, León Benarós, Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay | 3:53 | |
| I'll Hold You | The Writer's Room 7th Sea, Jolene Khor | 3:50 | |
| No Reason | Robert Powell | 2:17 | |
| 27, Act III: Introduction, "Lost Boys" | Ricky Ian Gordon, Elizabeth Futral, Stephanie Blythe, Theo Lebow, Tobias Greenhalgh, Daniel Brevik, Michael Christie, St. Louis Symphony | 5:26 | |
| Patience: Am I Alone and Unobserved? | Simon Butteriss | 4:34 | |
| Evensong | Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers | 2:36 | |
| Bajour: Guarantees / Love Is a Chance | Walter Marks, Mae Questel, Nancy Dussault, Lehman Engel | 3:30 | |
| A Word for This Old Man | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | 3:25 | |
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